A Quote by Vilmos Zsigmond
When I first came to America there still was Look Magazine and LIFE Magazine, and the photography in those magazines was amazing to look at. They had the best portraits, and their news photography.
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In fact, I probably learned more about photography from studying black-and-white photography in those magazines [Look Magazine and LIFE Magazine] than I did from watching movies here. That's the truth.
The magazine business is dying. It's a hard time for publishing. It does seem that everyone is much more opinionated now. I think there's probably more room for making opinionated illustrations. There was a time when Time magazine and Newsweek would have a realistic painted cover. A friend of mine used to do a lot of those paintings and he was told by the art director at one point, we are switching to photography. It seems that if someone saw a painting on a cover, it took a while to do, it must be old news. Photography became more immediate.
Omni is not a science magazine. It is a magazine about the future...Omni was sui generis. Although there were plenty of science magazines over the years...Omni was the first magazine to slant all its pieces toward the future. It was fun to read and gorgeous to look at.
[Photography] can be tiny, on your phone, or it can be a billboard, or a film-sized projection, or printed in a magazine. I don't think we've been in a time before when so much photography is available in so many formats, when everybody is a photographer.
I have a 6-year-old daughter, and we never look through magazines. But when we're on a plane, that's the one time we have screen-time and magazine-time sometimes. And I do not open a magazine with her without saying: 'Now remind me, are these real pictures?'
I look at the camera as sort of a missing link between motion picture photography and still photography.
When I first came to America, you know, I would look at the newsstands and see the women on the magazine covers. I had never seen anyone smile the way these girls smile! It's like they have nothing to worry about!
Photography at first was asked to do nothing but embalm our best smiles for the benefit of our friends and our best clothes for the amusement of posterity. Neither thing lasts, and photography came as a welcome salve to keep those precious, if slightly ridiculous, things a little longer in the world.
It's hard to remember, when you look at a magazine or when you look at pictures of people, and you forget that those people are people like you. They have flaws and insecurities. That's so easy to forget, even for me, as somebody who's sometimes in those magazines.
It's hard to remember when you look at a magazine or when you look at pictures of people, and you forget that those people are people like you. They have flaws and insecurities. That's so easy to forget, even for me, as somebody who's sometimes in those magazines.
During the Second War, the U.S.O. sent special issues of the principal American magazines to the Armed Forces, with the ads omitted. The men insisted on having the ads back again. Naturally. The ads are by far the best part of any magazine or newspaper. More pains and thought, more wit and art go into the making of an ad than into any prose feature of press or magazine. Ads are news. What is wrong with them is that they are always good news.
When I first redesigned the 'Surfer' magazine, a magazine about magazines took a copy to the famous American designer Milton Glaser, and - surprise surprise - he hated it.
Before I went to boarding school, I had never read a fashion magazine. I grew up on a council estate in London, and fashion magazines were a luxury item that weren't even on my mind. The closest I got to a fashion magazine was my cousin's 'Top of the Pops' magazines, where we would learn the lyrics to every song and put posters on our walls.
Sven Schumann did an interview with photographer Wolfgang Tillmans in Berlin addressing the question: What is photography today when everyone is a photographer? These kinds of questions and answers you find in a magazine, on paper and not on Instagram. For me this is the essence of a magazine - it's questioning what's going on today and celebrating true creativity without compromise.
First you study photography, then you practice photography, then you serve photography, and finally one becomes photography.
... a fact about photography: we can look at people's faces in photographs with an intensity and intimacy that in life we normally only reserve for extreme emotional states - for a first look at someone we may sleep with, or a last look at someone we love.
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