A Quote by Vilmos Zsigmond
For me, movies should be visual. If you want dialogue, you should read a book.
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I think, for me, there's The Book I Should Write and The Book I Wanted to Write - and they weren't the same book. The Book I Should Write should be realistic, since I studied English Lit. It should be cultural. It should reflect where I am today. The Book I Wanted to Write would probably include flying women, magic, and all of that.
People ask me what book politicians should read. They should read the life of Mahatma Gandhi.
If it's a good work of adaptation, the book should remain a book and the film should remain a film, and you should not necessarily read the book to see the film. If you do need that, then that means that it's a failure. That is what I think.
I didn't want to do a book just to do a book. I wanted to do a book that, if you should read it, you might take one thing from it. Until that was clear in my mind, I wasn't going to do one.
In my own experience as president of Brazil I observed first hand many of the trends that Nam identifies in this book, but he describes them in a way that is as original as it is delightful to read. All those who have power-or want it-should read this book.
In fact I have a full page warning, right in the front of the book, that no one under the age of eighteen should read this book and no one should even turn the pages if they are sexually conservative or erotically deprived.
Sometimes, readers, when they're young, are given, say, a book like 'Moby Dick' to read. And it is an interesting, complicated book, but it's not something that somebody who has never read a book before should be given as an example of why you'll really love to read, necessarily.
Interreligious dialogue is extremely important for religious people as well as secular people or non-believers. They should participate, and they should be encouraged to have interreligious dialogue, because dialogue is a channel or an instrument to promote intimacy between individual.
I want to be the apostle of self destruction. I want my book to affect man's reason, his emotions, his nerves, his whole animal nature. I should like my book to make people turn pale with horror as they read it, to affect them like a drug, like a terrifying dream, to drive them mad, to make them curse and hate me but still to read me.
Properly, we should read for power. Man reading should be man intensely alive. The book should be a ball of light in one's hand.
I believe the answers to most problems that confront us around the world can and should be approached by engaging both friend and foe in dialogue. No, I don't naively think that dialogue always works, but I believe we should avoid the rigidity of saying that dialogue never works.
A film, since it is primarily a visual medium, should really be like a silent film. You should be able to watch something and understand what was going on and use voice when you need to communicate something you can't necessarily communicate visually. The book is the opposite. The book is an inner monologue which is beautiful.
Dialogue should simply be a sound among other sounds, just something that comes out of the mouths of people whose eyes tell the story in visual terms.
This book should be read as one would read the book of a dead man.
I am a big defender of 'Harry Potter,' and I think any book that gets kids to read are books that we should cherish, we should be thankful for them.
With my career, everything I do is me. There's no one that handles telling me what I should be about or how I should dress or anything. I'm hands on with absolutely everything. When I'm writing a song, I'm already thinking of the visual for the song and I'm already thinking of what I'm going to wear in that visual and what I'm going to wear when I perform. It all goes hand in hand. Everything I do is just me expressing different sides of myself.
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