I try to create as many circumstances outside of set that help me fall into character when I get onto set.
I tend to - every time I step onto the set until the time I go back to the hotel, I just try to be in character all the time.
When I'm directing films, I mostly try to create an environment on set that mimics what's in my mind as to the tone and feel of things. I try to create a place where you feel that anything's possible.
One of the first things I do when I step onto a set is I scan the set and try to take in every detail, because what I'm trying to find are tools that I can use to incorporate myself into the space and tools that I can use to make the performance authentic and to build on the authenticity of that.
That was an amazing time period [ CBGB filming] to transport to during filming - the clothes, the music, the lifestyle - it really helps to get into character when there's so much that changes from the moment you step onto the set.
It is futile for an artist to try to create an environment because you have an environment around you all the time. Any living organism has an environment.
I am a director's actor. I love the environment of the set, I want to be there and I try to understand what or how the character would respond to certain situations.
I always say to every actor, and to people that want to get into this industry, to just try to be on set as much as you can, try to go to acting class, and try to work on your craft because there's nothing that can prepare you, like just when you get thrown onto a set and you've got to work.
It was so emotional to step onto the Millennium Falcon set because that was the play set we all had when we were kids. Suddenly, you were standing in the real thing. There's this rush of unreality about it.
We've tried to create something that's much more like being at a mountain resort. Many of these types of facilities done in the past paid little regard to structure or the environment and just focused on the sport of skiing. We've gone a step further and provided an immersive environment.
Honestly, when you're writing you try to stay on the story, on the character's mind, trying to throw stuff at them. There is danger, and the scares have to kick in the right places with the drama. And you try not to do too much to try to create those moments. Those moments create themselves.
I developed an interesting skill set in that I was able to create a network and create experiences and environment - I built this decadent playground for men. It might have been successful, but it wasn't important. It didn't have any true meaning.
In a way, I don't create anything; I just open myself to the character, and the character takes over. Of course, I'm aware of it, and I'm driving it, but I don't try to control it. If I try to control it, it goes wrong.
I try to keep a positive intention, and use whatever resources I have to benefit others. I try to create businesses that I think are not hurtful. I try to do things that I think are helpful to the environment, to the animals, and to the planet.
I try to keep a positive intention and use whatever resources I have to benefit others. I try to create businesses that I think are not hurtful. I try to do things that I think are helpful to the environment, to the animals, and to the planet.
Every day that I get to step onto a set is a good day for me.