A Quote by Vin Diesel

The idea of exploring character relations and their development over a decade has to be appealing for any actor who cherishes his craft. — © Vin Diesel
The idea of exploring character relations and their development over a decade has to be appealing for any actor who cherishes his craft.
None of the actor methods ever discussed what it would be like to play a character on film for over a decade, and what it must be like to return to a character and imagine the time off-screen, which is interesting. There's something as an actor that I enjoy about evolving characters.
While the gentleman cherishes benign rule, the small man cherishes his native land. While the gentleman cherishes a respect for the law, the small man cherishes generous treatment.
I have never in any way found the idea of celebrity appealing. Anonymity is much more appealing.
You need an actor who can maintain a character over a long period of time. If you have a weak actor, it won't be obvious in two hours, but you'll begin to see his weaknesses over four or five days.
There's something inherently more appealing about the idea that you could reveal and tell stories about characters over the course of a TV season - 13 or 26 episodes, whatever it might be - than in the course of one two-hour movie. You can do so many more novelistic kinds of things on a TV show - with time, with gradual development of relationships, and so on - than you could possibly do in a movie. And that is very appealing.
Western design houses have been exploring China in terms of investment for well over a decade.
Whether or not I am a 'character actor' or any other kind of actor, I really don't know. When people call me a 'character actor,' I fail to understand what it means.
I have to say from an actor's perspective, to work with a director who has been an actor through most of their career is a pleasure. They generally have a very deep understanding of the process of what you're doing, of how you are building and exploring the character.
I suppose the underlying current for me is the idea of not doing something I've done before. I call myself a character actor and I'm always trying to stay a character actor.
In 'Girlfriends,' I was exploring the idea of having it all. In 'Being Mary Jane,' I was exploring the idea that you have to be the center of everything.
Any actor who judges his character is a fool - for every role you play you've got to absorb that character's motives and justifications.
We have seen very clearly over these past years that there are quite a few people who are sceptical, or let us put it another way, are cautious about the development of Russian-American relations, but the underlying fundamental interests of the United States and Russia demand that our relations be normalised.
I don't see any difference in the craft of acting, in film or television. It's absolutely the same. It's different storytelling, playing a character over multiple hours, as opposed to two.
The social self is simply any idea, or system of ideas, drawn from the communicative life, that the mind cherishes as its own.
I have always been fascinated by structure and by exploring its possibilities. Throughout my life as a designer and maker, my structures have progressively become lighter and lighter, to the point now where I wonder how I can just sell the idea without any physical form. This seems to parallel human development where, as our bodies age, physicality is replaced by conceptualising and spirituality.
I don't see a difference between the idea of what an actor does and what someone supposes a character actor is, really.
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