A Quote by Vin Scully
I think when I first started, I tried to make believe I was in the ballpark, sitting next to somebody and just talking. And if you go to a ballgame, and you sit there, you're not going to talk pitches for three hours.
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Believe me, I would much rather get three outs on three pitches than three outs on nine pitches, because that's going to make me that much stronger at the end of the game. My pitching philosophy is simpe. I believe in getting the ball over the plate and not walking a lot of men.
I think if a girl is easy to talk to then that's the first thing I look for. It's great when you meet a girl and three hours later you're like, 'Oh my gosh, we've been talking for three hours, what happened to the time?'
There is a discrepancy of somebody going to an art dealer and promising what they'll make for the next three years. And I'm old fashioned that way; I think that every exhibition you make is supposed to put you in the world, that the next exhibition is spinning off of that. It's almost like a riff. And if you know what you're going to do for the next three years, why don't just do it the final point? You would think, in a progressive situation, that the final would be the best.
I think one of my main things is I lead by example. I'm not going to be just talking, talking, talking and sitting on the side saying you have to do that or this. I'm going to be the first one over there in practice, diving on the floor, whatever it takes to really get it going.
I love sitting through long things. I mean, 'Gone With the Wind' I will sit through; I love sitting somewhere for four hours, for anything. I love being on a train. I love sitting down for four hours. I think it's the most wonderful thing to be able to sit somewhere and concentrate on something for more than two hours.
I remember I was flying home to Los Angeles one day. I was talking to the woman next to me and the flight attendant tried to tell me I was sitting next to somebody that I should know. I didn't recognize her but it ended up being Beyonce's sister, Solange Knowles.
If I could go the ballpark and play the game for three hours and then go home? It would be awesome. But that's not the case.
It's tough to make funny films. And the truth is, with this process, especially if you write your own movie, then you're giving three years of your life to it. And so, I just have to be sure that when I embark on it that I'm happy to think that in three years' time I'm going to be sitting in a room on the tenth floor of an odd office building at Ginsberg Libby talking about it. So I'm keen not to jump into it too quickly and just make sure it's something that I really want.
I really tried to play more intensely in practice and not play like maybe two, three hours just like that. I just go to court and spend a lot of hours as well on gym, or just make a lot of sprints and movement.
You visualize [pitches]. You see it in your head; you think it...I used to play every pitcher in my mind before I went to the ballpark. I started getting ready for ever game the moment I woke up.
Whenever I wanted to talk to anyone on the East Coast, it was way too late. Living three hours behind was one thing I complained about. The other thing, of course, was just that there were no seasons. I would complain about that too. Just tons of complaining, man, early on. I can't believe I'm still friends with the people I was friends with when I first started in LA.
Directing is a very all-consuming job. What you want to do there, as you're coming down the final road, is to just sit back and enjoy and let the wind flow through your hair. When you're directing, you're sitting there going, "I need to make this shot. How many hours do we have left in the day? How many hours behind are we?" You're just constantly worried about doing the job.
Then you have these people in the movie theaters that talk the whole time during the movie. You ever go with somebody like that to a movie but you don't realize until you get there that you're with somebody like that? Brand new movie. First day it's open. You're there together and the entire time they're sitting there: Where's she going? Why'd he do that? Is he mad at her? I don't know, let's watch and find out together shall we? You know who you are. You're denying it right now: I do not do that. Why is she saying that?. What's she gonna say next?
Sometimes when my fans come up to me, they think it's going to be entertaining, like I'm going to tell jokes or do bits, and then instead of that I end up talking about really mundane things with my fans, and then they're kind of like, "This is boring. I want to go talk to somebody else." I think I bore my fans to death by over-talking to them.
Believe me, that nap is better than sitting there for three hours and nothing's coming. I've learned that even if I've slept nine hours and I just finished breakfast, if I feel sleepy when I'm in front of that computer, I'll take a nap. And it really does help.
What’s wrong with just talking? Isn’t that why bars were invented? So you could talk to somebody over a drink—as opposed to sitting at home alone getting sloshed?
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