A Quote by Vince Clarke
That's where my influences lie, in the blues with people like Muddy Waters and Tina Turner. At first I didn't really like the idea of working with synthesizers but now I think they're fun, there are no restrictions. Not that I understand how they work.
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It's true that when I was younger and I first got interested in music, I used to read books about the Stones and the Beatles and how they listened to Muddy Waters and people like that when they were starting out, who are much less well known now than the Rolling Stones. The Stones really changed blues.
I wanted to play blues. But I wasn't blue enough. I wasn't like Muddy Waters, people who really had it hard. In our house, we had food on the table. We were doing well compared to many. So I concentrated on this fun and frolic, these novelties.
The idea of travelling all over the world singing the same songs sounds like hell. How people like Tina Turner still do it with enthusiasm is beyond me.
I'm a little Jewish girl from Long Island, but when I listened to Tina Turner, I pictured myself in a mini-dress, dancing like Tina Turner. It's inevitable.
I love Tina Turner. I'm one of Tina Turner's biggest fans. Tina Turner was a big influence on me to become a singer. A role model and in a way she gave me back my confidence in choosing my material.
My influences were the riff-based blues coming from Chicago in the Fifties - Muddy Waters, Howlin' Wolf and Billy Boy Arnold records.
If I'm on form and I'm not being bothered too much by mental problems or whatever, I can whip out something good. That's why I've done quite a few overdubs for Tina Turner and things like that, because even before she made this comeback I said yes to her, just because I love Tina Turner.
I love early blues like Bessie Smith, Muddy Waters, and Howlin' Wolf. I listened to the way these people sang, and it was just beautiful - straight from the soul. That, for me, was an inspiration.
At the Muddy Waters thing, I played the first song by myself on an acoustic guitar. I thought that was great that y'all did that tribute to Muddy Waters. I had a real good time.
At the Muddy Waters thing, I played the first song by myself on an acoustic guitar. I thought that was great that y'all did that tribute to Muddy Waters. I had a real good time
I was essentially raised on blues music. My dad was a blues musician around Dublin when I was a baby, so the only music I would listen to growing up was John Lee Hooker and Muddy Waters. It's music that feels like home to me.
Tina Turner gave me the highway blues.
Muddy Waters, I suppose, was my first great hero. You know, every boy wants to be a guitar player, and Muddy Waters was just the king. He was the King Bee. He was it.
James Cotton is a real blues guy, and he played with Muddy Waters, and it surprised me that they would want me to make a record with them, that he called me to do this record. I'd never done anything like that before. But I love blues, so I was very happy.
I like people like Tina Turner, Chrissie Hynde, Debbie Harry, and Stevie Nicks; you only hear that person in their voice, they sound like nobody else.
My dad was very influential with the music he exposed me to. He was really into blues and folk, so he'd play me guys like Muddy Waters and T-Bone Walker and Richie Havens - a lot of very emotional players.
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