A Quote by Vince Gill

When you ask a songwriter, "What's your favorite song?" he goes, "The next one." — © Vince Gill
When you ask a songwriter, "What's your favorite song?" he goes, "The next one."
My favorite songwriting trick is writing something like 'XO.' In my brain, I thought, 'This is probably going to be a love song. How can I change that and find ways to twist that.' As a songwriter, it's your job for the song to take twists and turns that people don't expect.
You know, I always when people ask me, like, what is my most favorite song, I quote Duke Ellington, when they would ask him, what's his favorite composition? And I say, I haven't written it yet. Because, you know, there are different songs for different occasions.
As a songwriter you have an umbilical cord to the song and it's hard to expand on your understanding of the lyrics. Whereas when you cover a song you can create your own reason why you're attached to it.
As a songwriter, you try your best to write a good song, and you like nothing better than hearing a good song. It's easy to admire a great song, and you want to share out of enthusiasm.
There's a lot of craft that goes into achieving a hit song - at the beginning of your career, you're usually more inspiration than craft, and you get great when those intersect. A skilled songwriter can get you to that intersection.
As a songwriter, you're allowed to write anything, and as a person, I am all colors in the rainbow. I've been through everything, you know, so I can write a positive song like 'Better Get to Livin'' because that's my attitude. But that doesn't mean I'm happy all the time. You can't be a deep and serious songwriter without feelings. You kinda have to live with your feelings out on your sleeve and get hurt more than most people. The fear I might get hurt means I might not be able to write another song.
As a songwriter, there's nothing better than winning Song Of The Year. But I couldn't really celebrate, because it wasn't right. Luther wasn't standing next to me, to receive the award.
Solace is my favorite song. It was the last song we wrote for the record. It was right when we really started to mesh as far as music goes and we started really connecting with each other.
As a songwriter I hate this whole, 'If it's a sad song, it has to sound like a sad song thing.' And that goes all the way back to my days with the Format. I'm an insane narcissist, so if I have to get something off my chest, I'll get something off my chest.
The best song is what resonates with that one person the most. It's why, if you ask a million people on the face of the Earth, they're all gonna have different favorite songs, their own best song ever, because that's the one that touched them the most.
It's a weird thing to say you want people to be sick of your song, but I guess that's what happens if your song goes really well.
If you're a songwriter, you want to write a song like "Oh Yeah" that radically shifts everything. You can definitely retire on that song. You want to have something you can put in your songbook that everybody can recognize, whether it's a good or bad thing.
I think that I have come at it backwards in a way because a lot of what I'm doing as a songwriter is not incredibly intentional. There's a moment that happens which creates the song or the actual idea for a song, and then I'm like, "Oh, it's this kind of song."
Most people who ask me what's my favorite song, expect that it's 'Midnight Train' or 'Neither One of Us.' But actually, it's always kinda been 'The Need to Be' because of what it says. I love the way that song was written, I love the melody, I love everything about it.
When you write a song, you don't ask if it's good or not, or if it's gonna sell. When you write a song, you ask whether you've reached deep inside your heart and whether it's honest.
When I met Johnny Cash, I didn't know what to ask: where were you born, who was your favorite recording artist, what's your favorite color - I didn't know.
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