A Quote by Vince Gilligan
Having certain limits - not too many, but certain limits on an ability to tell a story - makes us work harder, me and my writers. Sometimes I watch a giant movie with a $250 million budget and I think they feel kind of bloated, and that if they'd been leaner and meaner they might've had better storytelling.
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The notion of political correctness has ignited controversy across the land. And although the movement arises from the laudable desire to sweep away the debris of racism and sexism and hatred it replaces old prejudices with new one. It declares certain topics off-limits, certain expressions off-limits, even certain gestures off-limits. What began as a crusade for civility has soured into a cause of conflict and even censorship.
It's much harder to work for yourself, by yourself, than to create work for a gallery, because there are no limits and you can do anything you want. It's always easier when you have a parameter, when you have a limit. You can work within the limit and push it and walk the line, but when you're given absolutely no limits, it's harder. You must really think. It's more challenging.
What I had to do was keep the story within certain limits of what was, of course, plausible.
I am not very extreme in my life. But I'm very attracted to art that works with extremes and works with limits, that transgresses limits and transcends limits and crosses borders and has a certain boldness.
In the province of the mind what one believes to be true, either is true or becomes true within certain limits. These limits are to be found experimentally and experientially. When so found these limits turn out to be further beliefs to be transcended. In the province of the mind there are no limits.
Contemporarily, we struggle with people worried about representation sometimes. It's a burden, as artists, that we take on that limits the work. It limits the characters people play. It limits the roles they want to do.
There are certain things in life that have limits, but you don't unless you impose limits on yourself.
I see so many talented writers of color struggling to get their work out to an audience. I know that's the case for all writers - everyone's struggling for attention - but I do think that for writers of color it's harder, and for women it's harder, and for regional writers it's harder, too.
What really motivates me to climb harder and harder is not necessarily that I want to push my limits or show who's best, but climbing harder and harder routes makes it more fun.
As a young girl, I'm always going to have to work a bit harder to prove myself; that's just reality. But having to work harder makes me feel like girls are stronger, too.
Life is very full of sex, or should be. As much as I admire Tolkien - and I do, he was a giant of fantasy and a giant of literature, and I think he wrote a great book that will be read for many years - you do have to wonder where all those Hobbits came from, since you can't imagine Hobbits having sex, can you? Well, sex is an important part of who we are. It drives us, it motivates us, it makes us do sometimes very noble things and it makes us do sometimes incredibly stupid things. Leave it out, and you've got an incomplete world.
Be assured that, as certain as Congress transcends its assigned limits and usurps powers never conferred, or stretches those conferred beyond the proper limits, so surely will the fruits of its usurpation pass into the hands of the Executive. In seeking to become master, it but makes a master in the person of the President.
We've never had a giant circulation. And we've always been a magazine for writers and for sophisticated readers. We've never had to run stories that would appeal to a million people. And what you end up with is a kind of tradition that might have staying power - the cockroach after armageddon.
We are pushing the limits on the chassis and the engine sides a lot in order to have a competitive car, and this is why we are winning races, but also, if you push the limits at a certain stage, you find them.
I don't know what the misconceptions are, but I approach a small budget, artsy, independent movie in the same way as a big budget, commercial Hollywood movie. I don't get into those [details]. I have to get into my character and I concentrate on that, on the story, on researching, and on certain training if I have to be prepared physically. I think that's the most important thing.
People will say things after a screening that it affects them in a certain way, which is why I don't like to explain what certain things are about. I want them to have that. It limits people's ability to understand something if I say it's "about this." That's happened to us a bunch on this.
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