A Quote by Vince Gilligan
It's often the case with successful TV shows that they kind of inadvertently live on past their prime. It's best to leave the audience wanting more.
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It's easy to leave people wanting more after the first episode, but it's hard to leave people wanting more after the 24th episode. And it's my job, more than anybody else's, to keep that in mind. One season, in TV terms, is nothing. You need to hit it for three or four seasons, and then you're doing well, in TV terms. Then, you've done your job.
Back 20 years ago, there was a division between movie actors and TV actors. That's kind of gone away. People who have had a lot of success in movies in the past now want to be on TV. There used to be much more of a quality division between TV and movies, and that's kind of not the case anymore.
Successful people live well, laugh often, and love much. They've filled a niche and accomplished tasks so as to leave the world better than they found it, while looking for the best in others, and giving the best they have.
Not only do you want to leave the audience wanting more, you want to leave yourself wanting more.
A lot of cop shows, because they have the restraints of having a new case every episode, the victims often become these kind of nameless, faceless plot points, and as an audience we don't feel anything for those people.
I'm not going to leave one of the best shows to do another TV show.
In the '80s, it was difficult and frustrating to appear in the theater and TV again, even though I had some successful shows and hit records. Now, I have to say, the '90s are the best decade of my life. I've done the best work and, in a funny way, I'm enjoying the most success... more than in the '70s.
I often play characters on TV shows that are more sweet and naive and just kind of puppy-dog eyes, and I don't think I am like that as a person.
When you look at the current state of reality TV, at least on the mainstream level, the shows that tend to be more successful have been around for a while. It's difficult today to show the audience something they haven't seen before, and I think that's what tends to be the secret to any great, big reality hit.
In a live setting, the audience is trapped and can't leave. That really makes the audience be with you and laugh more because you're there.
When I go to my live shows it's often a multigenerational audience, a family bonding experience.
Speaking from personal experience, I watch zero shows when they air. The only shows I watch live are awards shows or sports. Shows like 'True Detective' and 'Game Of Thrones,' I watch every episode, but I don't watch them as they air, and I think that's becoming the case for people more.
You can kind of run drills and practice, rehab behind closed doors as much as you can, but there's nothing that simulates being in front of a live audience with live TV cameras.
I personally think the best ideas for TV shows - at least comedies - are very low-fi ideas. High concepts often sell pitches in movies and TV, but, especially in TV when you're talking about hopefully a 100 or 150 episode proposition, those concepts just burn off, and then you're stuck with nothing.
The big difference I think between tv and stage is definitely the immediate buzz that you get. And that's not just as an actor, as an audience member you're getting the chance to have this kind of two-way process where the actors and the audience are experiencing the same thing. With tv you often have to wait months and months down the line to actually get the pay-off. Whereas with theatre it's a very immediate thing.
I'm a seeker of transcendence through music, and that's kind of where I'm at with the live shows - wanting to help people get out of their heads a little bit.
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