A Quote by Vince Vaughn
The main thing about improvising is listening so if something happens that wasn't expected and you know your character, you know what has to happen in this scene, you can react to that in a way that's honest and it might take you in a different direction to go to the same place.
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What is a scene? a) A scene starts and ends in one place at one time (the Aristotelian unities of time and place-this stuff goes waaaayyyy back). b) A scene starts in one place emotionally and ends in another place emotionally. Starts angry, ends embarrassed. Starts lovestruck, ends disgusted. c) Something happens in a scene, whereby the character cannot go back to the way things were before. Make sure to finish a scene before you go on to the next. Make something happen.
You must have a room, or a certain hour or so a day, where you don’t know what was in the newspapers that morning, you don’t know who your friends are, you don’t know what you owe anybody, you don’t know what anybody owes to you. This is a place where you can simply experience and bring forth what you are and what you might be. This is the place of creative incubation. At first you may find that nothing happens there. But if you have a sacred place and use it, something eventually will happen.
Acts of bravery don't always take place on battlefields. They can take place in your heart, when you have the courage to honor your character, your intellect, your inclinations, and yes, your soul by listening to its clean, clear voice of direction instead of following the muddied messages of a timid world.
Don't you know that what happens to you once always happens again? You always react in the same way to the same thing. It's no accident when you make a mess. Then you do it again. It's called destiny.
One thing is certain the only thing that makes you younger or older is that nothing can happen that is different from what you expected and when that happens and it mostly does happen everything is different from what you expected then there is no difference between
being younger or older.
Here was a place where real things were going on. Here was a scene of vital action. Here was a place where anything might happen. Here was a place where something would certainly happen. Here I might leave my bones.
There's no man alive who has any answers. We all know that. It's like the guru trip. All a guru can do is direct you to something that you probably already know about yourself, something you might want to followup on. Apply the same thing to music and records. You might get something from a particular record that hits a nerve and something inside you. But that's your vision of it.
The director could start shooting the fifth scene first. So while giving take for the scene I need to know what I am expected to do in the first four scenes. Sometimes it gets quite confusing and on television you never know when the channel will change the story or dump the character!
When I write an email where I outlined a whole scene, it just came out of my unconscious, it comes from a deeper place. The same thing happens when the actors go, take after take, and just get lost in it. When you're in a house, you don't think about being in the house; you're just there.
When you're in the middle of an interview, it's so easy to stop listening and think about the next question you're going to ask. You can miss that golden moment which might take you in a different direction or a direction you didn't expect.
Everybody improvises without noticing it. Life is about improvising. You can't control what happens in your life, I mean, you don't know what can happen in your life today. So you somehow improvise.
Most actors work on a scene, I try to find out who the character is. So when a scene or a moment comes, I react the way she would react.
You think you might know something about yourself or why you act or react in certain ways and then you come to new information and suddenly you see your past and your present in a completely different light.
That's the thing about acting - it does have the feeling of downhill skiing. When it's really all going right, you know your lines, you know what's important to your character, you pick the strongest reactions possible to elements in the story. But then you let it all go and you're in the moment and stuff happens. It surprises you and it's super strong; it's like you're living life in a slightly heightened way in the time between "action" and "cut."
You know, the hard thing about audiences not liking what a character does is that they sometimes take it out on the actor personally. That's something that you know when you become an actor or actress, but it's always hard to deal with when it actually happens.
The neatest thing about research and science is we don't necessarily know what's going to come down the pike. We think we know what we're working on. Oftentimes, discoveries are made when you're trying to discover something else. You end up accidentally discovering a different thing. So, one of those things might happen that enable us to have more efficient rockets.
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