A Quote by Vince Young

I was never nervous. That's not me, ... Nervousness, scariness, that's not even in our vocabulary. — © Vince Young
I was never nervous. That's not me, ... Nervousness, scariness, that's not even in our vocabulary.
As photographers, we have to find our own identity, our own voice, our own vocabulary. And my question all the time is whether this vocabulary is limited, like our own vocabulary that goes from A to Zed, or whether this vocabulary can carry on growing. And to me, I hope that it carries on growing.
I can't accept "our nervous age," since mankind has been nervous during every age. Whoever fears nervousness should turn into a sturgeon or smelt; if a sturgeon makes a stupid mistake, it can only be one: to end up on a hook, and then in a pan in a pastry shell.
The whole secret of era is to specific no nervousness. Never nervousness what fortitude become of you, depend on no one. Free the twinkling you annul all help are you unrestricting.
I don't feel like I ever really do get past the nervousness. I'm always nervous. Something about being nervous keeps you on the edge, and I've always felt like I worked better under pressure.
I stress, worry, get nervous and I start to over-think about a lot of things, but I think a little bit of doubt and nervousness always keeps me on my feet.
I'm not interested in gothic storytelling or the horrific for its own sake. I'm always interested in it as a way of getting at larger ideas or important meaning. And you don't see that as much as you'd think in the history of horror cinema. A lot of times, it's scariness for scariness' own sake.
I feel like I've mastered what nervousness is, and simply, nervousness is, fearing the future. Or, I like to put it as, thinking about things that you don't want in the future. Normally, artists may think, 'What if my show doesn't go well?' Boom. That's going to cause nervousness.
Look, every guy is nervous when they talk to girls, but I find that little bit of nervousness to be kind of fun.
I kept waiting for that loneliness and nervousness to make me want to go back. But it never did.
It was really good working with Paresh Rawal. I was nervous at first because he is such a big star and I love his performances, but the initial nervousness went away once I got to know him. He is a very simple and hardworking man.
I was never nervous directing. Not once. I'm more nervous acting. I'm far more nervous on set, before I say my lines, than I ever have been, as a director.
I can be completely spontaneous, which is absolutely wonderful. I don't like it at the same time; no one wants to be nervous all the time, but that nervousness mixes with the excitement I feel on the stage, and it makes for a wonderful performance.
Writing is a bit like walking into a big bookstore. It's the bookstore of your brain, and you know you're never going to read all those books. It makes you happy you're in the bookstore, and you're nervous because you know you're never going to read all those books. So the nervousness is also happy. Once I get going writing poetry is one of the happiest things I do, but it is also fraught with all of these anxieties.
I suffer from stage fright, so I blabber on stage and stop midway through my performances. I cannot even write a cheque, as it makes me nervous. Being around people makes me nervous. But I'm very comfortable in front of the camera, and this I realised many films later.
I think zombies are the great analogy for all of our fears about all of the scary things that happen on our planet, and the potential for scariness on our planet. Being chased by anyone or anything can be scary. It is just a big, fun analogy.
Growing up with a dad who was a classic-rock guy, I felt out of place with what was happening in pop culture. The Beatles, Zeppelin, T. Rex - that, for me, was the music that could never leave our vocabulary.
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