A Quote by Vincent Bugliosi

I've actually had a copilot come out of the cockpit on a trip from L.A. to New York and ask me about Charles Manson. — © Vincent Bugliosi
I've actually had a copilot come out of the cockpit on a trip from L.A. to New York and ask me about Charles Manson.
I was arrested and put in murder's row. They were trying to get me for some murders I didn't do. They had me in a cell next to Charles Manson; he was going to trial at the time. And it was all a row of black and brown guys and one white guy: Charles Manson.
I think, because it's one of my favorite moments in [Charles Manson's Hollywood]. That series got a lot of attention and people talk about it a lot, but they tend to focus on the episodes that have more to do with the murder, Charles Manson doing something particularly weird, or Sharon Tate.
I've had a relatively charmed life. I loved to be out in the city. New York was my town. I've had people come up to me and say, 'You're a great New Yorker. You've given your time and money to so many New York charities. You're a great supporter of the arts. I like some of your movies - and some of your movies suck, actually.'
If you ask any driver about their first trip to New York, it's always crazy.
I had never been in a New York courtroom. I think I went on a field trip when I was nine in New Jersey, but I never actually set foot as an adult and it was terrifying. It's very sterile, somehow. It seems so grand in the movies and it's so sterile when you're actually there.
That's why you have to like a guy like Charles Manson. Say what you will about Manson - he's one of the only people with the decency to look like a dangerous maniac the first time you meet him.
There are probably more internet hate sites about me than Charles Manson.
The only difference between the women I've dated and Charles Manson is that Manson has the decency to look like a nut case when you first meet him.
I never had intention of coming to New York or L.A. and actually doing more than scraping by - you know, doing plays. And as my career sort of progressed of its own volition, I did come to New York.
I had this temp receptionist job in New York, and I kind of hated it, and in the morning I would come out of the subway and just walk along the New York streets with all these people around me and kind of sing to myself. Like, 'She's gonna make it!'
When people, especially from France, would ask me to talk about or so they could write about New York Jewish humor, I'd say I don't know anything about New York Jewish humor. I know who Zero Mostel was and I know Mel Brooks, but that's about all I could tell you about New York Jewish humor.
I was living in Japan at the time, Shoko Asahara was an important figure and you could say his name and people would immediately know who you were talking about but since being back in America I've realized most people don't know who he is, which I find odd because he was far worse than Charles Manson. He killed many more people than Manson and was actually trying to kill thousands but wasn't careful enough in his process.
It's not like I turn off Marilyn Manson and I'm an everyday guy who goes and has another job and doesn't think about any of this stuff. Marilyn Manson is the most real thing that can come from me.
I've lived in New York City all my life. I love New York City; I've never moved from New York City. Have I ever thought about moving out of New York? Yeah, sure. I need about $10 million to do it right, though.
It had always been a dream of mine to come to New York to work. Coming to New York and looking for work is one thing, but coming to New York and already having a job and feeling like you are already part of the city has been an amazing experience for me.
I began working within the streets of Harlem, where, after graduating from Yale [University, New Haven, CT], I became the artist in residence at the Studio Museum in Harlem [New York, NY]. I wanted to know what that was about. I would actually pull people from off of the streets and ask them to come to my studio.
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