A Quote by Vincent Cassel
I have a huge relationship with Brazil; it's almost a love affair, I would say. And to me, to introduce that specific martial art like capoeira in Hollywood movies was something important to me.
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I love movies; I grew up loving movies. I've always loved movies. I never thought about making movies until I took art classes and then I started studying different artists. As you study paintings, you see light and shadow, of course - Rembrandt, Eugène Delacroix. You start to understand the relationship between people and art, and images. For me, between movies that I watched and art, it was like, I'd love to make moving art. Moving pictures.
Talk to people no one else is talking to. Who would have thought that giving a speech at a funeral at age 12 would introduce me to a man who would introduce me to my first business contact who would introduce me to several other important people in my life. That's luck. That's randomness.
I have dabbled in martial arts all my life, since I was 7, maybe - tae kwon do, capoeira, Muay Thai. It's always been an interest because in martial arts there is a mind/body relationship.
For so long, it was just my secret. It burned inside me, and I felt like I was carrying something important, something that made me who I was and made me different from everybody else. I took it with me everywhere, and there was never a moment when I wasn't aware of it. It was like I was totally awake, like I could feel every nerve ending in my body. Sometimes my skin would almost hurt from the force of it, that's how strong it was. Like my whole body was buzzing or something. I felt almost, I don't know, noble, like a medieval knight or something, carrying this secret love around with me.
Some of my favorite movies are Hollywood movies. Hollywood is part of the cinematic spectrum. I nurture a healthy love-hate relationship with Hollywood.
I was fortunate because my mum shared my love of film with me, so we would go to the movies twice, three times a week, and we would watch movies at home. As a teenager, instead of going out, we would have these huge movie nights in. But I almost failed drama at school. I hated it. It was all about the history of theatre.
When one is the type of writer who cares about the meaning of the historically specific setting, the history itself is not something that I would call backdrop. It's not window dressing for a timeless relationship about love and betrayal. For me, the setting and the specific history are active co-agents with me in trying to form the novel.
I love the art house, and when I say the art house, I don't just mean little, independent movies but movies that really aim to be about something and say something and I love those movies.
I physically need to make art. Art isn't just a hobby for me. It's not something that I like. It's an intense passion, an ecstatic love affair, with as much turmoil, frustration, exasperation and need as a forbidden liaison.
I've had failures, don't get me wrong, but it wasn't beneath me to pick up the phone and introduce myself to Bernard Malamud and say, "I'd like to introduce myself to you and to come meet you. I think I might have something that's worthy of your skills as a writer."
I grew up on certain movies, particular movies that said something to me as a kid from Missouri, movies that showed me places I'd yet traveled, or different cultures, or explained something, or said something in a better way than I could ever say. I wanted to find the movies like that.
I love my pizza so much, in fact, that I have come to believe in my delirium that my pizza might actually love me, in return. I am having a relationship with this pizza, almost an affair.
My falling in love with spoken word poetry definitely came out of that time period where all the adults around me were failing to supply me with any answers. Everyone was too busy dealing with things that were more important. I was pretty lost and invisible. And all of a sudden, this world opened up where I could get on stage and perform in front of my peers. People would listen to me and see me, and people would say, "That thing you created was important." And that was so validating and necessary at that specific moment.
People, certainly in the U.K., look down on screenwriting as an art form, but I love the discipline of it. Next to the bagginess of novel writing, it almost feels like a martial art.
I watch mostly every martial arts movie... I really like movies that aren't just martial arts. I like movies that have spiritual meaning behind them, like samurai movies, or movies that have meditation.
When I was a young kid, my father was a big fan of Hollywood movies. He would make me watch movies with him, and he would explain the story and characters to me.
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