A Quote by Vincent Cassel

You usually never know what you're going to do when you're making a movie. — © Vincent Cassel
You usually never know what you're going to do when you're making a movie.
Actually shooting a 3-D movie is not different at all than making a 2-D one. You never really notice that you're making a 3-D movie. The terminology used around the set is a little bit different, but other than that, you'd never know.
I never know going in if I've even got a movie to make. Once you start making a film, you hope there's going to be enough material! My job as a director is always to push for more.
I think we all felt it on this movie - crew and cast. You never know when you're making a movie... no one is saying in the middle of Casablanca that this is going to be a classic. The lead actors had turned it down and I think they wound up with B-list actors at the time.
You know, making a movie is a collaborative effort and sometimes all the ingredients don't work out. I know that every now and again I am going to make a movie that won't work.
There's never been a mathematical equation that says a good experience making a movie equates to a good movie, or a bad experience on a set is going to lead to a bad movie.
When somebody is making a movie about your life, that's different. A show is a live performance. Things are going to go wrong. You are going to get away with things. A movie is indelible. A movie is through a microscope.
Making a movie is a collaborative effort and sometimes all the ingredients don't work out. I know that every now and again I am going to make a movie that won't work.
I never get tired of talking about 'Galaxy Quest.' I am so proud of that movie. Our only fear was that we were having so much fun making the movie we got concerned it might not be as good as we thought it was going to be.
I don't think know if anything's going to translate anywhere. You're making a movie, you hope it's going to be funny, you can't think about how it's going to go over.
Number one, I am a true movie maker. And, you know, I am very much - I don't want to say infatuated, but I'm impressed with the art of making a movie and invoking emotion. You know, when I started making movies, I thought it was easy, and then when I got into it, I was like, 'This is not easy at all.'
I didn't even know how to judge 'Die Hard 1.' It's not anything I know how to judge. I'd never seen an action movie. I'd never seen a Sly Stallone movie or an Arnold Schwarzenegger movie or a Charles Bronson movie. And that is the truth.
I don't believe in making movies to cater to a foreign audience. You never know what the reaction is going to be anyhow. At the time I made Maborosi, the Japanese movies getting any foreign attention were all period dramas and seemed to be about some representative element of Japanese life, and my movie was contemporary movie about one specific woman trying to understand her husband's suicide.
Feelings are universal, and if an actor's doing his job, I think he's making people sit there, and if it's in a movie or a theatre, going 'Hmm, yeah, I know that... I know that.
Feelings are universal, and if an actor's doing his job, I think he's making people sit there, and if it's in a movie or a theatre, going 'Hmm, yeah, I know that... I know that.'
You never know how stylish a movie is going to be and I think this movie has a great sense of style. The way that it is shot and our costumes and everything, it was just terrific.
I never knew Artist was going to get this big. When I was making it, I put my all into it. But you never know what's going to happen with something you make.
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