A Quote by Vincent Cassel

I think I'm actually more vulnerable than people imagine. — © Vincent Cassel
I think I'm actually more vulnerable than people imagine.
Everyone's more vulnerable than they seem, and I think men are more vulnerable. Once you get close to a man, the whole thing's a facade anyway. I think manhood is fragile.
I can't imagine anybody in my life I've been more vulnerable with than my wife.
I think, honestly, that ego makes you most vulnerable. When you are in humility you are much more comfortable, open and okay with BEING vulnerable, whereas the ego is the protecter, and even though you think you're protecting, I think you are more vulnerable if you're in ego.
I feel vulnerable every day to the grace of God as expressed in every living thing. I feel vulnerable to the astonishing beauty of being alive and to Mother Nature. I feel positive when I feel vulnerable, because it's another reminder that it's not all about me and about my ego. And I actually think it's courageous to be vulnerable, and it's not something to be avoided.
If you torture a man as I was tortured he will learn more about love than you could ever ­imagine, and that has left me ­vulnerable.
Making films is much more difficult than people imagine, and so the experience of actually directing them is not one I've ever relished.
Cities produce love and yet feel none. A strange thing when you think about it, but perhaps fitting. Cities need that love more than most of us care to imagine. Cities, after all, for all their massiveness, all their there-ness, are acutely vulnerable.
I think, in life, we're vulnerable, or human beings are vulnerable, or men are vulnerable. I think it's just a question, you know, choosing when you let that mask slip off, which I think all men do - they just usually don't do it in front of people.
I can't imagine anything more debilitating, anything more challenging, anything more thrilling than to get on a stage and do any kind of play. It is such a vulnerable place for any actor to be in.
The premise for me has always been that it's vulnerable people who do violent things. And the more vulnerable they feel, often, the more violent they are. But I think, you know, that's an idea that comes from history, from classical theater, for me.
I'm a person who doesn't necessarily enjoy feeling vulnerable, so I think my loved ones and my family make me feel vulnerable. Also, being connected with people when I'm working is a very vulnerable place to be.
Sex is the killer. Sexual love makes you feel more vulnerable than any other kind of love. That's one reason that people are so thorny and so vulnerable and so easily wounded when in love.
When we enter the landscape to learn something, we are obligated, I think, to pay attention rather than constantly to pose questions. To approach the land as we would a person, by opening an intelligent conversation. And to stay in one place, to make of that one, long observation a fully dilated experience. We will always be rewarded if we give the land credit for more than we imagine, and if we imagine it as being more complex even than language. In these ways we begin, I think, to find a home, to sense how to fit a place.
When I see my picture in the papers, I imagine that people think I'm a lot more serious than I am. They probably think I'm pretty miserable.
What I saw during the Hillary Clinton campaign [2016] with data dummies who were more concerned with polls than people, they were more concerned with donors than voters. And it wasn't a lot of heart felt on that campaign and I think it left us vulnerable.
I have talked to more people who are in politics who have said to me, "[House of Cards] is closer than you can imagine. It's the most accurate description of how politics actually works that we've ever seen." I mean, West Wing - beautiful, wonderful idea of how democracy should work. But I've had more people in politics say they think House of Cards is closer. I - don't know whether to take that as a compliment or a sad state of affairs.
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