A Quote by Vincent Cassel

I love French style from the Thirties and Forties. French movie stars like Jean Gabin and Yves Montand had so much natural, effortless style. — © Vincent Cassel
I love French style from the Thirties and Forties. French movie stars like Jean Gabin and Yves Montand had so much natural, effortless style.
I went to Brown to be a French professor, and I didn't know what I was doing except that I loved French. When I got to Paris and I could speak French, I know how much it helped me to establish relationships with Karl Lagerfeld, with the late Yves St. Laurent. French, it just helps you if you're in fashion. The French people started style.
I went to see Gerard Philipe and Jean Gabin in pictures. Gerard Philipe spoke beautiful French, while Jean Gabin spoke slang. And after a while I realized that when Gabin said, 'What's up, lady?' it meant the same thing as when Philipe said, 'Good evening, madam.'
The three actors I admire the most are all dead. Humphrey Bogart, Spencer Tracy and the French actor, Jean Gabin. They're all very natural, sort of masculine without being overly macho.
'Death Sentence' really is a throwback to the '70s style revenge drama with moments of action. It's like a contemporary 'Death Wish' with a much more thriller style storyline, but the action scenes I shot very much in the style of '70s films like 'The French Connection.'
My way of remaining French was the financing scheme I used for Quest for Fire, with Fox funds, since it started as a 100% American production. The film was not in French and yet was French in style, reflecting my personality.
Why is there this myth? People say, 'Oh, you are a style icon. You're 'French, French, French.' It's not true, you know; there are stylish people everywhere.
I'm always fetishizing the French woman and French taste and style. My assistant will make fun of me because every time we're picking the direction of a collection, I say the same thing: 'I want it to be really French.'
French girls don't care about the perfect look; we actually like when it's not perfect because that's what makes our style effortless.
I just love France, I love French people, I love the French language, I love French food. I love their mentality. I just feel like it's me. I'm very French.
OSS 117 and maybe Un Balcon Sur La Mer directed by Nicole Garcia. It's a typical French movie with typical French themes with French actors, a French director.
We need French chaplains and imams, French-speaking, who learn French, who love France. And who adhere to its values. And also French financing.
I actually think there are a lot of similarities between California girl-style and French girl-style. Long messy hair, and that 'I don't think about what I'm wearing too much' kind of thing.
French women love to shop and prepare food. They love to talk about what they have bought and made. It's a deeply natural love, but one that is erased in many other cultures. Most French women learn it from their mothers, some from their fathers. But if your parents aren't French, you can still learn it yourself.
It was 1953, and I was still at school. I'd borrowed a silent French film from the library for my 9.5mm projector. It was by Jean Epstein, and it was awful. So I rang the library and asked if they had anything else. They said they had 'Napoleon Bonaparte and the French Revolution.'
I love Marilyn Monroe, Jimi Hendrix, and Kurt Cobain. I really do. It doesn't matter what style they had - whether it was pin-up or whatever - it just worked for them, and it looked effortless even though it was fabulous. I like anything that just looks effortless.
When I arrived at Columbia, I gave up acting and became interested in all things French. French poetry, French history, French literature.
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