A Quote by Vincent Cassel
I have a tendency to think that when you portray baddies in movies, they come out more human than good guys.
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You don't just have to see superhero movies. Ultimately, those movies are westerns - superheroes are good guys fighting bad guys in a landscape. In westerns, that divide couldn't be any more clear, but the only superpower you have is that you're a quicker shot than the other guy.
I continue to explain that plot inconsistencies in B movies are consistent, and should not be allowed to undermine one's enjoyment of the action, nor the fundamental credibility of the storyline: the good & bad guys are clearly delineated & easily recognizable, the hero duffs over the baddies, things blow up loudly & spectacularly, the good guy wins. Entirely credible.
Some of the good teammates, when it comes for me, has always been someone who interacts with your teammates - movies, dinners, buses, planes, and so what I tend to do is, the older I've gotten, I actually hang out with more younger guys than I do older guys.
If you break things down to goodies and baddies, the baddies are always a bit more alluring in fiction, and that's true from a narrative point of view. But I wanted to write a novel about real life, and real life is a bit more nuanced than that.
Guys who are larger than life and theatrical and deliciously unpredictable - they're far more interesting than the good guys most of the time. They have these psychological layers that an audience can really cling on to, become fascinated with, much more so than these true-blue, one-dimensional, square-jawed good guys.
I love books, by the way, way more than movies. Movies tell you what to think. A good book lets you choose a few thoughts for yourself. Movies show you the pink house. A good book tells you there's a pink house and lets you paint some of the finishing touches, maybe choose the roof style,park your own car out front. My imagination has always topped anything a movie could come up with. Case in point, those darned Harry Potter movies. That was so not what that part-Veela-chick, Fleur Delacour, looked like.
I want to make movies - and I want to portray characters - that make people think. I want to make movies that have a redemptive message. I want to tell good quality stories and take out the derogatory sex, violence and language.
If you think about Shakespeare, you remember Richard III and Macbeth before you remember Ferdinand, whose role is just to fall in love and be a bit of a wimp. I love the baddies. More important, though, is making the baddies somehow, weirdly, understood.
Movies portray men as tough guys.
I think action movies on the whole have moved more and more into large spectacle, even leaving out super hero movies that seem to me to be more a fantastic science fiction than they are action movies.
It wasn't that Harvard was deliberately trying to overwork me, but I think I had a tendency to take on more things out of enthusiasm than were good for me.
I think at this point in my life, I'd like to play more good guys than bad guys.
A movie is better than real life because in the movies only the bad guys die. Or you can pick the good movies where the bad guys die and only those. If you get tricked and a good person dies in the movie then you can rewrite it in your head so the good person lives and the part about death is superfluous.
I'm an optimistic person, and I tend to bury my cynicism in what I read and the movies I watch. My optimism holds that the good guys eventually come out on top.
There are a lot of things that come to bear on movies now that I don't think are good for movies. They're trying to appeal to the biggest demographic and, when they do that, you sometimes flatten out.
There is of course a dark side to panto because there are always baddies and you can't have a baddie without a dark side. But most of the time the baddies become good.
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