A Quote by Vincent Cassel
If I have to pretend to be anything else than French, then I know it's work for me. It's not that it scares me, but it's work. I cannot just pop up on the set and say 'Okay, today I'm Italian!'
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I'm not scared anymore, I just ... I don't know. I think it's because I saw someone else, someone behind your face, like you'd taken off a mask. It was still you, but it wasn't. And I don't think that person is going to hurt me, or Marci, or anybody else, but ... I guess the thing is that I don't know anything about that person. At all. And that's what scares me more than anything - that there could be two people, so different, and one of them so secret.
Like I said, I'm just grateful when anyone offers me a job. It's like, "Okay. I'll do it." FBI agent is one, too, when you get older. When you're kind of an older lady hard-ass, FBI tends to happen. It's just because I'd like to work rather than not work, so I'm just happy if somebody wants me to do anything.
Whichever work you do, people go through life having several priorities. I know my football is what got me here. The work I do for SOS or my charity work in general has always been a priority for me, and then my family is a priority as well, so you set yourself different things, and they just balance each other out.
When I turned 12 or 13 years old, even as a dad, you can't make a kid play anymore, but up until that point, he pushed me to keep playing, and when I turned 13, I didn't want to do anything else. He was just there with me at the cage every day because I wanted him to go with me and throw to me and work on what I needed to work on.
I cannot face with comfort the idea of life without work; work and the free play of the imagination are for me the same thing, I take no pleasure in anything else.
In photos, I don't know who the real me is - it's all pretend, just pretend. There's not much of myself in my work. If I'm looking in the mirror and I'm working, I'm looking at my make-up and my hair. It's not the same as looking at myself.
Growing up, everybody told me I was good. I was playing ping-pong with my father, and he'd say, 'That's a good shot,' but I'd mess up the next one, and I'd yell, 'Don't tell me that! I'll mess up! Just don't say anything!' You know, if someone says, 'You can't do that,' then I'm going to be, 'Yeah, you watch me.'
I'd rather be thought as an international actress rather than a French one. Because I don't know what's coming up for me, my ambition is not to be typecast. So I'm working on my English accent, as well as my American one. I don't want to be like 'Okay, I'm French, and I want to succeed in Hollywood!'
The thing about theater that always and still kind of makes me edgy is that you work and work and work and work, and then you're just in performance mode, and then you have to just be on; the work is done, and then you just have to do it over and over again, so you're just constantly at that performance level.
And if one day,' she said, really crying now, 'you look back and you feel bad for being so angry, if you feel bad for being so angry at me that you couldn't even speak to me, then you have to know, Conor, you have to that is was okay. It was okay. That I knew. I know, okay? I know everything you need to tell me without you having to say it out loud.
I would work until I got stuck, and I would put it down and pick up something else. I might be able to take a 20-minute nap and get to work again. That way, I was able to work about 10 hours a day... It was important to me to work every day. I managed to work on Christmas day, just to be able to say I worked 365 days a year.
Long ago you may have given up control of your brain and set it on autopilot either because it just felt like too much work. And it is work! But for me, this work was well worth it for the prospect of not waking up sad every day.
I like to receive money for my work. But I can pass that up this time. I like to have people know my work is done by me. But I can pass that up. I like to have tenants made happy by my work. But that doesn't matter too much. The only thing that matters, my goal, my reward, my beginning, my end is the work itself. My work done my way. Peter, there's nothing in the world that you can offer me, except this. Offer me this and you can have anything I've got to give. My work done my way. A private, personal, selfish, egotistical motivation. That's the only way I function. That's all I am.
You have to be true, you have to be honest.. Don't do anything, just figure out what it is that is true to you, what makes you happiest to do and be out there. And if it doesn't work, then you just have to call it a day and go find something else. But don't make it up. Don't go out there and pretend to be something you aren't.
I like it that they [disciples] feed me and pay for my clothes and protect me. And in return I will do for them what I can, but no more than that. Just as I cannot breathe the breath of another or help the heart of someone else to beat or their bones not to weaken or their flesh not to shrivel, I cannot say more than I can say. And I know how deeply this disturbs them, and it would make me smile, this earnest need for foolish anecdote or sharp simple patterns in the story of what happened to us all, except that I have forgotten how to smile.
I guess, in a sense, 'Audition' was a film that gave me an opportunity that I hadn't had up until that point. So that's definitely one that is important to me. Then there's 'Visitor Q' that kind of taught me that there are some kinds of films that can only be made as low-budget films that really wouldn't work as anything else.
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