A Quote by Vincent Cassel
Soderbergh is a very respectable director that manages to have an incredible amount of freedom in a system that doesn't allow anybody to be free as he is on a set. And he will jump from 'Solaris' to 'Ocean's Twelve' and 'Thirteen.'
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[Ocean's Thirteen] is a great group, and it was an opportunity to work with Steven Soderbergh. But mainly? It was shot in L.A. and I want to be next to my kids. So I've been doing everything that has to do with being next to them, close to them.
What came out of 'Ocean's Twelve' is actually great because you do one 'Ocean's Twelve,' and you're more known around the world than if you did 20 years in the French cinema industry.
Working with David Cronenberg or Darren Aronofsky or even Steven Soderbergh isn't really like a typical Hollywood movie. These are true artists, and have a certain amount of freedom when they work, and they're more like independent filmmakers making their way through big studios. I still don't feel like I've been part of the stereotypical Hollywood system.
I've dealt with numbers all my life, of course, and after a while you begin to feel that each number has a personality of its own. A twelve is very different from a thirteen, for example. Twelve is upright, conscientious, intelligent, whereas thirteen is a loner, a shady character who won't think twice about breaking the law to get what he wants. Eleven is tough, an outdoorsman who likes tramping through woods and scaling mountains; ten is rather simpleminded, a bland figure who always does what he's told; nine is deep and mystical, a Buddha of contemplation.
I really like the George Clooney of Solaris also filmed by Andrei Tarkovsky, before Steven Soderbergh: that's very obviously sci-fi, and it seems to me a great film. But whatever pigeon-hole you put Stalker into you would both be increasing the risk of disappointing people and diminishing the film.
As a director, I do very few takes, because I feel like you hire the right actor and they'll do the job right. And the directors that I've worked with and had the best luck with - Jason and [ Steven] Soderbergh and the Coen brothers - all have been that kind of director.
How can I set free anyone who doesn't have the guts to stand up alone and declare his own freedom? I think it's a lie - people claim they want to be free - everybody insists that freedom is what they want the most, the most sacred and precious thing a man can possess. But that's bullshit! People are terrified to be set free - they hold on to their chains. They fight anyone who tries to break those chains. It's their securityHow can they expect me or anyone else to set them free if they don't really want to be free?
We call our country home of the brave and land of the free, but it's not. We give a false portrayal of freedom. We're not free - if we were, we'd allow people their freedom.
When I was on set I tried not to bug Steven Soderbergh too much. "Why did you put the camera there?" But he was very open to my questions and definitely being on his set was really thrilling because he's such a master.
If you allow dunya to own your heart, like the ocean that owns the boat, it will take over. You will sink down to the depths of the sea. You will touch the ocean floor.
And somehow mother nature manages to create this incredible biosphere, to create this incredibly rich environment of animals and plants with this amazingly small amount of data.
Work at getting organized like a hobby. Set aside a certain amount of time each day (or whatever time your budget will allow). While it may indeed take a fair amount of time to establish order, once it is achieved, you will save more time than you have ever spent.
Here is something no real celebrity will ever tell you: film acting is not very fun. Doing the same thing over and over again until, in the director's eyes, you 'get it right' does not allow for very much creative freedom... In terms of sheer adrenaline, film has absolutely nothing on theater.
A lot of the kinship that people notice is not coincidental. I was very impressionable and trying to find my role models when I was twelve or thirteen.
I have my set rigged with the biggest sound system possible and have a mini jack for my iPod attached to my director's chair. I find playing music is a very direct way to communicate with actors and the crew, especially those crew members who are on the periphery of the set. I like dancing on set too, it's a good way to release tension.
When I was twelve or thirteen, if you liked something that was outside of your friend group genre, you had to rationalize and explain it in some way. It's totally irrelevant, I think, now. I don't think anybody cares. Not young people, at least. Maybe journalists.
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