A Quote by Vincent Connare

If you love it, you don't know much about typography. And if you hate it, you really don't know much about typography either and you should get another hobby. — © Vincent Connare
If you love it, you don't know much about typography. And if you hate it, you really don't know much about typography either and you should get another hobby.
Typography is a hidden tool of manipulation within society. All schools should be teaching typography; we should be fundamentally aware of how typographic language is forming out assholes.
Lyric poetry is, of course, musical in origin. I do know that what happened to poetry in the twentieth century was that it began to be written for the page. When it's a question of typography, why not? Poets have done beautiful things with typography - Apollinaire's 'Calligrammes,' that sort of thing.
Typography needs to be audible. Typography needs to be felt. Typography needs to be experienced.
In a world rife with unsolicited messages, typography must often draw attention to itself before it will be read. Yet in order to be read, it must relinquish the attention it has drawn. Typography with anything to say therefore aspires to a kind of statuesque transparency. It's other traditional goal is durability: not immunity to change, but a clear superiority to fashion. Typography at its best is a visual form of language linking timelessness and time.
Typography has one plain duty before it and that is to convey information in writing. No argument or consideration can absolve typography from this duty.
The better people communicate, the greater will be the need for better typography-expressive typography.
Old typography or letter woodblocks that are hand-carved, cracked, and worn are especially beautiful. I love that aged, handmade effect, and that's why I don't muck around much with Photoshop.
The idea that nations should love one another, or that business concerns or marketing boards should love one another, or that a man in Portugal should love a man in Peru of whom he has never heard -it is absurd, unreal, dangerous. The fact is we can only love what we know personally. And we cannot know much.
Don't know much about history, don't know much biology, don't know much about a science book, don't know much about the French I took.
I have the best fans. I know every artist says that but I really do. I love my fans for how much they know about me, how much they learn about me, and how much they really pay attention.
I'm pretty sure I don't have any songs that are about how much I love someone. They're all either about, like, 'I hate you,' or 'You make me hate me.'
I'm very much a word person, so that's why typography for me is the obvious extension. It just makes my words visible.
I have a consistent rule: The American people should know as much about the Pentagon as the Soviet Union and China do, as much about General Motors as Ford does, and as much about City Bank as Chase Manhattan does.
I’ve never thought much about whether I was happy or if I had fun as a child. I was a so-so girl who lived with a so-so family in a so-so village. I didn’t know that there might be another way to live, and I didn’t worry about it either.
And I say to you, I have decided to stick with love, for I know that love is ultimately the only answer to mankind's problems. And I'm going to talk about it everywhere I go. For I have seen too much hate... every time I see it, I know that it does something to their faces and their personalities, and I say to myself that hate is too great a burden to bear. I have decided to love.
That economics and finance are often covered as technical subjects, sort of boring subjects, and either you already know a lot about it and you follow it, or you don't know much about it and you don't want to know.
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