A Quote by Vincent D'Onofrio
The minute you start feeling like you've got it down, you know what you're doing, you're dead in the water.
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The minute I know it's real to the minute we start shooting, I will work on the script, breaking it down and working on the character, doing as much research as I possibly can to the point where I feel like I eat, sleep and breathe it without looking at a page. Then I go in and try to forget all of it and just be there.
I can't keep my head above water one minute to the next: it's not just the parties and the goo-gooing with what's-her-name, I've got the decide how long the Five Hundredth Anniversary Parade is going to be and where does it start and when does it start and which nobleman gets to march in front of which other nobleman so that everyone's still speaking to me at the end of it, plus I've got a wife to murder and a country to frame for it, plus I've got to get the war going once that's all happened, and all this is stuff I've got to do myself. Here's what it all comes down to: I'm just swamped, Ty.
There's something about it to me, the feeling of the water, and feeling, I don't know, equal, and like everyone else. Which is kind of funny because I didn't actually start swimming right away as a sport.
Stop watering things that were never meant to grow in your life. Water what works, what's good, what's right. Stop playing around with those dead bones and stuff you can't fix, its over...leave it alone! You're coming into a season of greatness. If you water what's alive and divine, you will see harvest like you've never seen before. Stop wasting water on dead issues, dead relationships, dead people, a dead past. No matter how much you water concrete, you can't grow a garden.
In this business, the minute you start feeling comfortable about the show you're doing or the ratings you're getting, you're in big trouble.
I got very famous for a minute and then it just all went away, you know? And for the last 20 years - you've got to pick yourself up and dust yourself off and then go on your merry way and start again, in a sense, and that's what I've been doing.
Take a pitcher full of water and set it down in the water-now it has water inside and water outside. We mustn't give it a name, lest silly people start talking again about the body and the soul.
I don't know about you, but when they first introduced bottled water, I thought it was so funny, I was like "Bottled water! Haha, they're selling bottled water! ... I guess I'll try it. Ah, this is good, this is more watery than water. Yeah, this has got a water kick to it."
The minute you think, 'I have done it' or 'I know what is happening,' you will start to go down.
So I really love this very difficult feeling of being completely out at sea. I don't know what I'm doing, and I kind of like this feeling. So I think for the moment, I'm going to continue to try and nail film down in some sort of shape where I'm happy with it.
I'm sorry, Heather, but everything was not just fine before I got here. You know how I know that? Because you're dead. Okay? You are dead. Dead people don't have lockers, or best friends, or boyfriends. You know why? Because they're dead.-Suze Simon
I felt like lying down by the side of the trail and remembering it all. The woods do that to you, they always look familiar, long lost, like the face of a long-dead relative, like an old dream, like a piece of forgotten song drifting across the water, most of all like golden eternities of past childhood or past manhood and all the living and the dying and the heartbreak that went on a million years ago and the clouds as they pass overhead seem to testify (by their own lonesome familiarity) to this feeling.
Everybody says they want to win. But when you start talking about sacrifice and doing what's right for the team, it's like, 'Wait a minute, I didn't mean that. I want to win, but...' There's always a conjunction with that. It's never what you think it is. And it's always, like, your weakest point where you got to do it.
You hear the beginning of a melody, you should kind of know it's going to lead down this path. It should start feeling like a friend, like familiar.
The minute you start getting down about how your life is panned out - I'm not a religious person, but how God made ya - the minute you get down about that, it's gonna eat at you and eat at you.
When you move the camera, or you do a shot like the crane down (in Shawshank) with them standing on the edge of the roof, then it's got to mean something. You've got to know why you're doing it; it's got to be for a reason within the story, and to further the story.
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