A Quote by Vincent D'Onofrio

With Altman, he does discuss everything with you, but then leaves you to it and gives you full rein and lets you improvise and create a character while the camera is rolling.
Better to discuss everything out in the open while you're in love, then if or when the relationship sadly ends. It's called Full Disclosure Before The Fact.
So while you're trying to improvise, you're also trying to puppeteer, you're doing everything that you need to do to perform a puppet in our style, for a camera.
Pain does two things: It teaches you, tells you that you're alive. Then it passes away and leaves you changed. It leaves you wiser, sometimes. Sometimes it leaves you stronger. Either way, pain leaves its mark, and everything important that will ever happen to you in life is going to involve it in one degree or another.
What does Macbeth want? What does Shakespeare want? What does Othello want? What does James want? What does Arthur Miller want when he wrote? Those things you incorporate and create in the character, and then you step back and you create it. It always must begin with the point of truth within yourself.
The truly religious man does everything as if everything depends on himself, and then leaves everything as if everything depended on God.
I never improvise. I create the character and transform into it.
Gary Ross one of those directors which lets you do what you need to do to become your character - he lets you try to do everything on your own when you're acting. Then at some points he would say, "Let's try this," or "Let's try that." Most of the time he just kind of let me try to just become my character on my own and it worked out really well.
I try and shoot as often as I can, I cross shoot. I have at least two cameras rolling at the same time. So I'll have two actors or two sets of actors at a time so everybody's basically on camera. So when they improvise we have everybody's coverage. And you can then go in the editing room and find the energy still stays there.
This is what life does. It lets you walk up to the store to buy breakfast and the paper, on a stiff knee. It lets you choose the way you have your eggs, your coffee. Then it sits a fisherman down beside you at the counter who says, Last night, the channel was full of starfish. And you wonder, is this a message, finally, or just another day?
Confident people, who understand comedy, improvise so much better than people who are scared. You can't be scared to improvise. You have to know your character, and then you have to let go.
The way Apatow works, you do it scripted a couple times, and then he just kind of lets you go and improvise.
You'll never see a good performance out of me, in terms of a character, when the camera isn't rolling.
Youll never see a good performance out of me, in terms of a character, when the camera isnt rolling.
I love it when a photographer lets me create my own movement and feeling to the images. By that I mean he doesn't restrict me in his or her own ideas but rather gives me a direction and lets me work within those boundaries freely.
When a man is in God's grace and free from mortal sin, then everything that he does, so long as there is no sin in it, gives God glory and what does not give him glory has some, however little, sin in it. It is not only prayer that gives God glory but work. Smiting on an anvil, sawing a beam, whitewashing a wall, driving horses, sweeping, scouring, everything gives God some glory if being in his grace you do it as your duty.
For dignity of character, consciousness is needed, not conscience and that's the function of meditation. Meditation does not give you any character directly. It does not say what to do and what not to do. It never gives you any commandments. It simply gives you a technique for becoming more aware, for being more alert, watchful, witnessing.
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