A Quote by Vincent D'Onofrio
So I moved to Europe and only came back when directors like Robert Altman would call me after they'd seen my work in Full Metal Jacket.
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Really, what I'm doing is an attempt to continue the best work of the people I adore: Francis Coppola and Scorsese and Robert Altman and Stanley Kubrick and those amazing directors whose work I grew up with and loved.
One of the things that I love about Robert Altman's movies is that, really, a Robert Altman movie is just a bunch of short films about various people told at the same time.
And if I was going to go there – the only person you can really compare Batman to, of those characters, would be Iron Man, another rich guy who has the ability to make fantastic toys – so if you want to take Batman and Iron Man and put them in a battle, that’s an interesting battle. But if you want to take Christian Bale and Robert Downey Jr. and put them in a UFC fighting cage, Christian Bale will – to quote Full Metal Jacket – tear Robert Downey Jr.’s head off and sh-t down his neck.
I was really fortunate from the time I arrived in Hollywood to work with some of the greatest directors from the beginning. I worked with Robert Altman, John Boorman, and of course Steven Spielberg, Michael Cimino, Brian De Palma ... I couldn't pick one of them; they were all different, but they are all so talented.
I've worked with David Lynch since I was 17, and working with him is home and family; being around Alexander Payne is home and family, Jonathan Demme. There are directors... Robert Altman, Paul Thomas Anderson... They are directors where I create homes.
There are some directors I should have worked with. I`d like to have worked with Robert Altman - I turned him down a couple of times when I was younger. My thing now is if it`s a good director I`ll never say no - I`m just gonna say yes from now on.
Chekhov would have been an excellent screenwriter. He is singularly good at dipping in and out of a group of people's lives, like Robert Altman did.
I took a class my freshman year in high school called Intro To Film, and I was introduced to Robert Altman's films, and I wrote my first paper on a filmmaker and it was Altman's 'M*A*S*H,' and Nashville and I think 'Short Cuts' or 'The Player,' I don't remember.
There's so much confidence and freedom that comes from that way of doing things. Robert Altman and Alan Rudolph make the set the place to be. It's fun. It's a kind of creative freedom that's really inspiring. Altman loved actors so much. He was a great mentor for me, really.
Obviously I would love to work with all these great directors like the Coen Brothers, Tarantino. Robert Rodriguez is a dream director of mine.
Many years ago I sent an old, beloved jacket to a cleaner, the Sycamore Cleaners. It was a leather jacket covered in Guinness and blood and marmalade, one of those jobs... and it came back with a little note pinned to it, and on the note it said, 'It distresses us to return work which is not perfect.' So that will do for me. That can go on my tombstone.
Germany is not the only country that one could call post-heroic. But there is an additional aspect for Germany when it comes to this generally Western stance - one which Vladimir Putin would call decadent. For almost four-and-a-half decades after World War II, we didn't have full sovereignty. During this period, we existed in a niche of global politics. This experience of limited sovereignty continues to have an effect. Many Germans still have sympathy for the idea that Germany can exist as something like a large Switzerland in the middle of Europe.
The first 10 years of my life, I lived as 'Matangi.' When I came to England in '86, my first week of school was terrible because I would put my hand up to answer things, and no one would choose me because they couldn't say my name. My auntie came from Europe to visit us, and she was like, 'Just call yourself something else.'
The praise for 'Cape Fear' will help me work more artfully - I can work with real artists, like Robert De Niro and the directors, and then go to artland, which is the best land to be in in this world.
Yes, there are directors I admire, the mavericks. Altman. There are many good directors.
Directors don't get to see other directors at work - they're the only one on the set. I've met directors who've asked me what another filmmaker is like. So, there's probably nobody better placed to make all the comparisons and to pick up stuff than an actor.
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