A Quote by Vincent D'Onofrio
No, I knew when I was doing theater in New York that this was what I was supposed to be doing.
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One thing I really want to do is - I spent ten years in New York doing theater before I moved to L.A. to do TV and film. I'd really like to go to back New York and do some theater.
When I was doing theater for all those years in New York, I did a lot of classical theater, wearing big corsets and big dresses and doing dialects. It's interesting that once I moved to TV, I'm playing these scrappy, contemporary toughies.
I did children's theater when I was younger, and then when I was about 14 I started doing theater in New York City.
I spent 10 years in New York doing theater.
The theater is my power center, and I love doing it in New York.
Even before Pentatonix, I always thought that I would be out here in New York doing Broadway and doing musical theater. That was what gave me the passion for music in the first place, so it's been really, really, cool.
I never had intention of coming to New York or L.A. and actually doing more than scraping by - you know, doing plays. And as my career sort of progressed of its own volition, I did come to New York.
Woody Allen stayed so good because he never left New York. Howard Stern stayed so good because he never left New York - Mel Brooks when he just got out of New York was doing 'Blazing Saddles;' when he left New York he started doing stuff like 'Robin Hood Men In Tights' - he was in L.A. too long. He lost the edge.
At 21, you can live life with reckless abandon, as reckless as your abandon is. Then, at 30, there's something there are the supposed to be's. You're like, "I'm supposed to be doing this. I'm supposed to be doing that." You start measuring your life by what you think you're supposed to be doing. Having recently turned 40, it's like, "What the hell?! Why am I worried about what I'm supposed to be doing? What do I want to do?" You become fine with wherever the road takes you.
I started out doing theater in New York. I used to go to Shakespeare in the Park a lot.
I didn't graduate. I was doing theater in Michigan the summer after my junior year and just moved on to New York.
Yes, I'm supposed to go back to New York to do Geraldo, and we're going to be doing The Tonight Show.
I was as happy doing theater in New York for little or no money as I am now doing television for more money. The happiness, I guess, comes out of it being a good job. The success has to do with the fact that it's a good job that will continue.
We were going to do 'Reno 911!: New York, New York, Las Vegas,' which was like a 'Die Hard' set not in New York, but in the New York, New York casino in Las Vegas. We were really excited about being locked into the one casino and doing a bad action movie.
It wasn't until I moved to New York that I started actually leaving the house and doing things. You know, I was a typical theater nerd.
I really would rather have gone to New York, since all my training had been in theater, but I didn't have the guts to go there alone. I knew only one person in New York, and that was a man. What I needed was a woman. That's the way Southern girls thought.
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