A Quote by Vincent Gallo
I never apologized for anything in my life. The only thing I'm sorry about is putting a curse on Roger Ebert's colon. If a fat pig like Roger Ebert doesn't like my movie, then I'm sorry for him.
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I think reviewers have become particularly venomous because, in a way, the power has been sucked from them. A 15-year-old can write a review on the Internet and it means as much as Roger Ebert's review, and that just makes Roger Ebert mad, so he comes out harder and stronger.
Roger Ebert was such a champion of underrepresented filmmakers. He was a very big deal to me. It shows the power of critics. People who write about film, like you, can really affect the confidence of a young filmmaker. He did that for me, so it was such a pleasure to have an opportunity to talk about Roger in the movie.
I am deeply honored to be making 'Life Itself,' a documentary on the life of Roger Ebert, and to have had the full cooperation and enthusiasm of Roger and his wife, Chaz.
Roger Ebert and Gene Siskel first championed my film, 'Hoop Dreams,' which was essential to its success. Roger remained a great supporter of my work throughout my career, and I'll never forget him tweeting about 'The Interrupters' right before its premiere at the Sundance Film Festival in 2011.
But I still have him in the form of the finest and highest standard of what it means to be a journalist and critic. All my life, Roger Ebert has always been the bar I've tried to reach. I never will. But his example has made me stronger through failure.
The National Association of Theater Concessionaires reported that in 1986, 60% of all candy sold in movie theaters was sold to Roger Ebert.
Roger Ebert was the last mammoth alive who was holding the flag for real movies and moviemakers.
Roger Ebert was a very valiant soldier of cinema who passed away, and we miss him. It's over with serious discourse about cinema in the print media and on television. It has been replaced by celebrity news. So we are speaking in his spirit always.
We know Roger Ebert loved the 'Sun-Times' and his career as a newspaper columnist. But ironically, it was his illness and losing his voice that caused him to explore another venue.
When we made 'Night of the Living Dead,' we got riddled. There was this famous article Roger Ebert wrote just blasting the film because he had gone to see it at some screening where there were all these kids in the audience. I don't know why that happened. We didn't make the movie for kids.
What's happening to movie critics is no different from what has been meted out to book, dance, theater, and fine-arts reviewers and reporters in the cultural deforestation that has driven refugees into the diffuse clatter of the Internet and Twitter, where some adapt and thrive - such as Roger Ebert - while others disappear without a twinkle.
I feel like I'm a graduate of the Roger Corman School of Filmmaking. I went and visited Roger on the set of Dinoshark and that's in the movie. That's where I really got a big whopping taste of what it's like to be on one of his sets.
I was hitting him with what I thought was my full strength, I hit him in the head about four times and every time I hit him, I was like, 'I'm sorry, I'm sorry, I'm sorry'. And he's like, 'It's fine, it didn't even hurt'. Yeah, that was kind of an ego deflater!
For millions, Roger Ebert will be remembered as a writer and television personality who brought a sense of passion and excellence to his craft. For me, he is a man who fused joy and courage as few others ever have. My life was enriched by having such a friend; it is poorer for losing such a friend.
You may be sorry that you spoke, sorry you stayed or went, sorry you won or lost, sorry so much was spent. But as you go through life, you'll find - you're never sorry you were kind.
Every weekend from, like, 1974 to 1978, I'd trudge over to the Greenwich library, which gathered up almost every major newspaper in the country. I would sit there all day long and read and read and read the reviews. I remember being twelve or thirteen and writing to Judith Crist, Pauline Kael, and Roger Ebert.
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