A Quote by Vincent Janssen

I can tell the crowd appreciates the way I play. — © Vincent Janssen
I can tell the crowd appreciates the way I play.

Quote Topics

I'm gonna tell y'all what we tell the crowd every night when we play back in the States. We tell them to remember people sleeping in a sandstorm so that we can be free.
When the crowd appreciates you, it encourages you to be a little more daring, I think.
You don't know what a rough crowd is. If all I have to do is go make people laugh, that's nothing. Let me tell you what a tough crowd is. A tough crowd is going to a morning service and you got six people there and you gotta pay your house payment. That's a tough crowd.
You don't know what a rough crowd is. If all I have to do is go make people laugh, that's nothing. Let me tell you what a tough crowd is. A tough crowd is going to a morning service and you got six people there and you gotta pat your house payment. That's a tough crowd.
Humanity appreciates truth about as much as a squirrel appreciates silver.
I wanted to get the fastest time in the world this year, but with everything going on, it's a pretty decent swim, ... I knew I was under world record pace. You could tell by the crowd. You can always tell at these meets when something good is going on because of the crowd.
My fondest memories were watching the Beastie Boys get prepped to come on stage. They had a lot of antics and they play a lot of basketball... then they were giving out cameras to the crowd, and performing from the bleachers. The most important thing I learned was that you control your crowd, not the other way around.
That's a sure way to tell about somebody--the way they play, or don't play, make-believe.
I try to call the play as quickly as I possibly can and then shut up and let the crowd roar because, to me, the crowd is the most wonderful thing in the whole world when it's making noise.
I'm one of these DJs who likes to play true to myself, so I'm not gonna be throwing in some rock bootleg mashup mix of some record to get a reaction. Sometimes it does amaze me, you go to festivals and DJs think, "Oh, I need to play big crowd-pleasing records." You don't need to spoon-feed the crowd.
When I look at my audience, I can tell better who's in the crowd and the kind of joke I shouldn't do. It's just complicated. I guess I sift through to make sure these jokes are a little different with not such a harsh edge to them. That's pretty much how I handle the crowd.
When you got source material, whether it's a play or a book - a great writer often appreciates being adapted and developed. It's like when you go see a production of a great play and they are always different. There is always room for interpretation.
When you're relaxed, the crowd can see it. They can feel it. They can tell when you're being real, or they can tell when you're forcing it.
Think of it: television producers joining with newspapers to tell stories. It's journalism of the future. Advertising will follow the crowd - the 'crowd' being viewers and readers, of course, which could bring revenue back into journalism.
I'm going to keep playing the way I do. I don't think anybody can tell me how to play; I always play hard.
I can tell how I'm doing, and I can tell if the crowd is particularly dead.
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