A Quote by Vincent Kartheiser

I was, aged nine, the go-to kid in Minneapolis for a commercial voiceover. — © Vincent Kartheiser
I was, aged nine, the go-to kid in Minneapolis for a commercial voiceover.
At one time there were voiceover artists, now there are celebrity voiceover artists. It's unfortunate because these people need the money less than the voiceover artist.
I've made it very clear that I'm interested in voiceover work. I mean, I'm always looking for voiceover gigs. I love that.
I don't audition for "on-air" commercials - the ones where your face can be seen. I've auditioned for voiceover campaigns that I haven't gotten, but I don't really want to be seen in a commercial unless it's a product that I really love. Like, if Adidas asked me, I would do it in a heartbeat. But I did a Reebok commercial, one for Pep Boys, one for Dunkin' Donuts. I auditioned for commercials, but I really couldn't stomach it. It just didn't feel right.
For the residents of Minneapolis, the loss of Prince is too large to describe. His music brought untold joy to people all over the world. But in Minneapolis, it is different. It is harder here.
I did two commercials, one for Porsche, but I was definitely not the type of child one would cast in a commercial or any TV that you'd typically go out for as a young kid. I wasn't the type of kid who would be in stuff that kids watch. I wasn't cutesy.
I really try to ask myself the question of nine. Will this matter in nine minutes, nine hours, nine days, nine weeks, nine months or nine years? If it will truly matter for all of those, pay attention to it.
My earliest memory is being in a snow hole, aged two-and-a-half, with my dad somewhere up a mountain in a blizzard. I don't know what my dad saw in me - I was a geeky kid - but he had that philosophy: prepare the kid for the road, not the road for the kid.
I saw this anti-drug commercial that showed a kid smoking pot in his dad`s room with his friend. This kid finds a gun, the gun accidentally goes off and kills his friend. Only in America is the villain in this commercial not guns or bad parenting, but pot.
As a former nine-year member of the Board of Supervisors and nine-year mayor, I know firsthand the merits of strong zoning laws. They protect residential areas so they can support families and be free of commercial activities that are not related to neighborhood needs.
The technology involved in making anything invisible is so infinitely complex that nine hundred and ninety-nine billion, nine hundred and ninety-nine million, nine hundred and ninety-nine thousand, nine hundred and ninety-nine times out of a trillion it is much simpler and more effective just to take the thing away and do without it.
If a fan comes up and it is a middle-aged lady, it is probably from 'Prime'; if it is a younger girl, it is probably from when I guest-starred on 'One Tree Hill.' And if it is, like, a skateboard kid or a hipster kid, I can tell they are 'How to Make It' fans.
Wouldn't you love to see Mike Tyson and Evander Holyfield go one more time? It's not like just one of them has aged. They've both aged. They're both icons.
I think the first thing I did when I was a kid was a Maxwell House Coffee commercial with George Strait. And I did a Wrangler Jeans commercial, and then 'The Patriot' came to town.
Tampon commercial, detergent commercial, maxi pad commercial, windex commercial - you'd think all women do is clean and bleed.
As I've indicated, most books go out of print within one year. The same is true of music and film. Commercial culture is sharklike. It must keep moving. And when a creative work falls out of favor with the commercial distributors, the commercial life ends.
I have done a Hamburger Helper commercial, a Hardees commercial, a McDonalds commercial. American Express commercial.
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