A Quote by Vincent Paronnaud
We [with Marjane Satrapi] both have very strong personalities, but that's completely normal, because even if you're very well prepared, you never know when you shoot live action.
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We with [ Marjane Satrapi] always work together on the script which is very important. We even film each other and we start to imagine things so that we are ready, because when you start shooting, it's pretty stressful.
It is very important to be confident and strong even if you lose, because you know there are tournaments coming up next, and you have to be prepared for it.
I know pretty well in the broad sense what I'm going to do, because I have to know that when we shoot the live-action, so that it'll synchronize. Then I know pretty well when I get to the animation stage, what that scene requires.
I live a very normal life. I have friends, and I've always gone to school. The part that's not normal is that I've been working since I was 9 months old, but at the same time, it's completely normal to me.
I feel very blessed to have four brothers. My brothers always say, 'Oh, you know, we prepared you for the world of journalism. We prepared you for Arnold. We prepared you for everything.' And in a way they're right. Because you know, they take no prisoners. They were very tough.
There are always different things that can happen and I Marjane Satrapi don't want to yell at other people. It's easier if we yell at each other. We're still friends, so obviously it worked out.
I've always been very strong minded on character-based fights and character-based action. If you take the character out of the action and you just shoot it as an action sequence, the audience starts to lose connection.
I don't know Hollywood very well. I've never lived in Los Angeles or New York. But what I can see in Paris, where I live, is that actresses like Catherine Deneuve, Isabelle Huppert, Charlotte Rampling, still get the chance to play strong, sexy roles even though they're not 20.
We love our Hohne Pool. We never have had a problem. My neighbor has one too. We both enjoy them very much, completely happy. We're both very pleased.
Through the years, I've developed a style or a language that I like, even when it applies to action. All my action principles are very similar to my cartoony principles, because all the poses want to be really strong.
I've directed bits of action and so I know that it's long and it's very detailed. Editing action is a good deal more exciting than shooting action. Shooting action is very, very meticulous, it's increments, tiny little pieces.
It's like live action if you reshot every scene a million times after finishing the movie. Because even apparently by the very end, a few weeks before they were screening it for the world premiere, they were making changes. That's just simply something you can't do on live action.
Once we were on the set, we each did different kinds of work. I was doing more the technical stuff, the framing and the camera work, and she was working more with the actors. Marjane [Satrapi] and I don't stop speaking once we're on the set. We continue to talk. We define what our roles are going to be on set, because to have a snake with two heads is silly.
I know Mourinho very well. He has a very strong mentality and is very peculiar man.
It's very important where you live. Because where you live, the energies make it easier or more difficult to dream. In certain places dreams are very manifest and very strong. So you should always pick a place to live that's good to dream in. One of the best places to dream is by the ocean.
Researchers find it very necessary to keep blinkers on. They don't want to admit that the animals they are working with have feelings. They don't want to admit that they might have minds and personalities because that would make it quite difficult for them to do what they do; so we find that within the lab communities there is a very strong resistance among the researchers to admitting that animals have minds, personalities and feelings.
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