A Quote by Vincent Rodriguez III

I wanted a Broadway credit, but 'Crazy Ex' came along, and it blessed me. — © Vincent Rodriguez III
I wanted a Broadway credit, but 'Crazy Ex' came along, and it blessed me.
If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.
I always wanted to be a Broadway star. That's actually what I wanted to be when I was a kid. I wanted to be the 19-year-old sensation on Broadway. It took a little bit longer than that.
I thought it was all a flash in the pan. It wasn't until Broadway came along that I felt I had really made it.
A lot of other people wanted a free production UNIX with lots of bells and whistles and wanted to convert MINIX into that. I was dragged along in the maelstrom for a while, but when Linux came along, I was actually relieved that I could go back to professoring.
I credit the women who came before me and credit New Zealanders for welcoming me having a child... positivity outweighed negativity. I'm proud of the nation.
I'd like to do Broadway if the right project came along, but my mission in life is that I want to help change people's lives.
Id like to do Broadway if the right project came along, but my mission in life is that I want to help change peoples lives.
If a movie musical came along and the part was right and somebody wanted me to do it, I would do it in a heartbeat.
After I saw 'Annie' on Broadway, I came out of the show crying, because I wanted to be on that stage.
After I left Yale, we were all doing these mad plays off - off Broadway. And I got back to that feeling I had from college, of everyone making up in front of one cracked mirror, which is what I loved - the scrappy theater idea. I think off-off Broadway healed me, made me an actor again, and I was in so many different crazy shows.
I wanted to be a therapist if the acting didn't work. I also did a lot waitressing and odd jobs. I'd audition but couldn't get hired to save my life. I'd do Off-Broadway theatre and that was great and I was excited and thrilled, feeling like, 'Well, it's Off-Broadway, but there's still the Broadway in there.'
Making my Broadway debut was, in and of itself, just a dream come true. I've wanted to be on Broadway forever.
I have always wanted to do Broadway, my whole life, but I never knew I'd actually make it - it's a dream; it's never been in the realm of possibility. So to be doing 'Hello Dolly!,' it's not just Broadway, but it's the most joyful, sort of classic Broadway experience with the most extraordinary company.
They saw that it was a passion of mine from really young... My parents did a good job. They wanted me to win. They let me do all these things. If some old guy came to the house asking, 'I want your kid to sign a contract,' they were so open to it. Yeah, I credit them loads.
But the truth is that throughout human history slavery has existed. And America came along as the first country to end it within 150 years. And we get no credit for that.
My first job was on Broadway. Then I went into the Navy. When I came out of the Navy, I went back to Broadway and a friend of mine, Lauren Bacall, was in Hollywood filming with Humphrey Bogart. She told one of her producers I was great in my play, and he saw it and cast me in 'The Strange Love of Martha Ivers'.
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