A Quote by Vincent Rodriguez III

I didn't even drink until I was in college. While other people were out partying, I'd be home watching the Tony Awards and Bob Fosse movies... I so badly wanted to be part of the club.
You'd have to go all the way back to 1972 to find a version of me who didn't care about theater, who didn't read Playbill and watch the Tony Awards, or get why Bob Fosse's choreography was so groundbreaking that all you need to say is 'Fosse hands' and theater people know what you mean.
I grew up in Lancaster, Pennsylvania, watching the Tony Awards on TV. Not just 'watching' the Tony Awards on TV - I would record them on a VHS tape and bring them in to school and show them to the other kids.
When I was a kid, I was watching the movies my parents wanted to watch. I came from a working class family, not specifically educated, so we were watching popular movies. My dad liked cowboy movies, so we were watching cowboy movies. Some of them were amazing. It’s a genre of movie I like very much.
I remember watching the Tony Awards as a young girl, thinking I would never get that far but, in my heart, wanting so badly to perform on Broadway and defy the expectations of my small town.
My microphone went out in the 2009 Tony Awards. It was my big moment, and I was so excited to perform and lead the cast; I sang 'Sit Down, You're Rockin' the Boat.' Every actor dreams of standing front and center on the Tony Awards, and I start to sing, and you hear this crackling. I had no idea what to do - were they going to stop a live telecast?
I didn't drink at all in school, so when I went to college, I went nuts. I was trying to catch up on all the partying I missed out on.
I never danced a step in my life so naturally. My first motion picture was a musical, and Bob Fosse was the choreographer. I didn't exactly dance for Fosse, I just did the best that I could to do what he taught us to do.
Even when I was much younger, whatever I did, I wanted to do it to the best of my abilities. When I came home from school, I would be the one doing my homework while my siblings would be watching TV and putting it off until later.
'A Different World,' for me, was in a lot of ways responsible for me going to college. I wanted to go to a black college, and I wanted to get out of Los Angeles. It's just a natural part of all of our journeys, that idea of leaving home.
Pippin had an opening number called "Magic to Do," and Jules Fisher, the brilliant lighting designer lit it. Tony Walton did all of the sets. As a kid I thought, "Wow, I'm seeing onstage what a MGM musical would look like live." It was that good, and it was directed by Bob Fosse.
During the curfew, whoever went out, the people were watching you. Any Japanese home, there was some person figuring he's a good American citizen by doing his duty, and they were watching every move each family were doin'. Or if they went out, they followed them to see where they were goin'.
You look at Sinatra, Tony Bennett, Bob Seger. All they ever wanted to do was go out there and entertain, and I'm the same way.
I live for watching TV and partying with my book club.
I started out as an assistant to a director on two movies, Miguel Arteta. The movies I worked on were 'Chuck and Buck' and 'The Good Girl.' I didn't even know I wanted to be a director until I started working with Miguel.
Nights were hard during my staying at the TV show because while my Playmate friends got to go out and party, I would have to be home by 9 p.m. I'd get a text message from a girl that read, 'Having so much fun in Vegas. Wish you were here! Partying with all these football players,' and that was devastating. I felt so trapped and angry when I was missing out on something good.
When you're the host of the Academy Awards, and you grew up watching Bob Hope and Johnny Carson, and now it's your turn, and you get a chance to run with the baton on the relay for a while, I really embraced it and just really loved being there.
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