A Quote by Vincent Van Gogh
Color in a picture is like enthusiasm in life.
Quote Topics
Quote Author
Related Quotes
What color is in a picture, enthusiasm is in life.
Your attitude is like a box of crayons that color your world. Constantly color your picture gray, and your picture will always be bleak. Try adding some bright colors to the picture by including humor, and your picture begins to lighten up.
The difficulty with color is to go beyond the fact that it's color ? to have it be not just a colorful picture but really be a picture about something. It's difficult. So often color gets caught up in color, and it becomes merly decorative. Some photographers use it brilliantly to make visual statements combining color and content; otherwise it is empty.
Some have said that if you take a great picture in color and take away the color, you'll have a great black-and-white picture. But if you're shooting something about color and you take away the color, you'll have nothing.
Red has been praised for its nobility of the color of life. But the true color of life is not red. Red is the color of violence, or of life broken open, edited, and published. Or if red is indeed the color of life, it is so only on condition that it is not seen. Once fully visible, red is the color of life violated, and in the act of betrayal and of waste.
Enthusiasm needs to be effective enthusiasm. We must distinguish between the contribution and enthusiasm of the cheerleader and the enthusiasm of the player. While cheerleaders serve an important purpose, the real contest involves players on the field or on the court of life. We must not go through life acting only as enthusiastic cheerleaders available for hire; we must be anxiously and personally engaged.
Our ordinary language has no means for describing a particular shade of color. Thus it is incapable of producing a picture of this color.
Some people look at a picture for thirty seconds, some for years. It doesn't really matter because a picture is like life. You take out of life as much as you are able to take out of life, just as you take out of a picture as much as you can take out of a picture.
That's another great thing about Think Like a Man picture. The cast is predominantly African-American, but color is never really an issue in the film. It's rarely brought up since, at the end of the day, these guys are going through universal relationship issues that anybody can relate to. So, while the characters like "The non-committer," "The Player," and "The Dreamer" might be recognizable as common stereotypes, color isn't involved.
The dominant invades the entire picture, as it were. In this way I seek to individualize the color, because I have come to believe that there is a living world of each color and I express these worlds.
The true color of life is the color of the body, the color of the covered red, the implicit and not explicit red of the living heart and the pulses. It is the modest color of the unpublished blood.
The artist's alertness to the coloristic demands of each picture, the ability to respond to the picture's needs, to feed the color until its appetite is satiated; these are the true measures of a colorist's talent.
Color is life, for a world without color seems dead. As a flame produces light, light produces color. As intonation lends color to the spoken word, color lends spiritually realized sound to a form.
Painting is drawing, with the additional means of color. Painting without drawing is just 'coloriness,' color excitement. To think of color for color's sake is like thinking of sound for sound's sake. Color is like music. The palette is an instrument that can be orchestrated to build form.
Melody and harmony are like lines and colors in pictures. A simple linear picture may be completely beautiful; the introduction of color may make it vague and insignificant. Yet color may, by combination with lines, create great pictures, so long as it does not smother and destroy their value.
I think the world is ready for people of color to take on more heroic and leading roles, and not always be the sidekick, the nemesis or any sort of stereotype of what a person of color can play typically in a Hollywood picture.
Related Authors
Asger Jorn Quotes
Danish
Painter
David Salle Quotes
American
Painter
Domenico Gnoli Quotes
Italian
Painter
Henri de Toulouse-Lautrec Quotes
French
Painter
Jean-Auguste-Dominique Ingres Quotes
French
Painter
John Currin Quotes
American
Painter
Laszlo Moholy-Nagy Quotes
Hungarian
Painter
Marsden Hartley Quotes
American
Painter
Milton Resnick Quotes
American
Painter
Odd Nerdrum Quotes
Norwegian
Painter
Pablo Picasso Quotes
Spanish
Painter
Robert Bateman Quotes
Canadian
Painter
Robert Longo Quotes
American
Painter
Walter Darby Bannard Quotes
American
Painter