A Quote by Vincent Van Gogh

Describing Starry Night: Firmament and planets both disappeared, but the mighty breath which gives life to all things and in which all is bound up remained. — © Vincent Van Gogh
Describing Starry Night: Firmament and planets both disappeared, but the mighty breath which gives life to all things and in which all is bound up remained.
So, it comes to pass that, when we pursue an inquiry beyond a certain depth, we step out of the field of psychological categories and enter the sphere of the ultimate mysteries of life. The floorboards of the soul, to which we try to penetrate, fan open and reveal the starry firmament.
Thoughts are like stars in the firmament; some are fixed, others like the wandering planets, others again are only like meteors. Understanding is like the Sun, which gives light to all the thoughts. Memory is like the Moon, it hath its new, its full and its wane.
Perhaps [transgression] is like a flash of lightning in the night which, from the beginning of time, gives a dense and black intensity to the night it denies, which lights up the night from the inside, from top to bottom, yet owes to the dark the stark clarity of its manifestation, its harrowing and poised singularity.
Large, heavy, ragged black clouds hung like crape hammocks beneath the starry cope of the night. You would have said that they were the cobwebs of the firmament.
Prayer is the breath of your life which gives you the freedom to go and stay where you wish and to find the many signs which point out the way to a new land.
The town is silent. The night boils with eleven stars. Oh starry starry night! This is how I want to die.
A major puzzle for which nobody has an answer is this: is there some size at which the planets change their nature from water-rich planets like Neptune, to rocky planets like the Earth? We have found two planets that are the size of the Earth in radius, but they are very close to their host star, so water on the surface would evaporate away.
From this haunting feeling of being not wanted, which remained a recurrent haunt through life, I found two ways of escape, both of which in changing form also persisted. One was the invention of gods, the other was personal efficiency in work.
And when no hope was left inside on that starry, starry night, you took your life as lovers often do. But I could have told you, Vincent, this world was never meant for one as beautiful as you.
I look on the opposite sex with something like the admiration with which I regard the starry sky on a frosty December night. I admire the beauty of the Creator's workmanship, I am charmed with the wild but graceful eccentricity of the motions, and then I wish both of them goodnight.
It is agreed that all sound which is the material of music is of three sorts. First is harmonica, which consists of vocal music; second is organica, which is formed from the breath; third is rhythmica, which receives its numbers from the beat of the fingers. For sound is produced either by the voice, coming through the throat; or by the breath, coming through the trumpet or tibia, for example; or by touch, as in the case of the cithara or anything else that gives a tuneful sound on being struck.
But psychology is a more tricky field, in which even outstanding authorities have been known to run in circles, 'describing things which everyone knows in language which no one understands'.
In the great wealth, the great firmament of your nation's generosities this particular choice may perhaps be found by future generations as a trifle eccentric, but the mere fact of it . . . the prodigal, pure, human kindness of it . . . must be seen as a beautiful star in that firmament which shines upon me at this moment, dazzling me a little, but filling me with warmth of the extraordinary elation, the euphoria that happens to so many of us at the first breath of the majestic glow of a new tomorrow.
We are bound to expire. Even metal which is sturdiest, rusts. Even oxygen, the breath of life, soon transpires.
And somewhat as in blind night, on a mild sea, a sailor may be made aware of an iceberg, fanged and mortal, bearing invisibly near, by the unwarned charm of its breath, nothingness now revealed itself: that permanent night upon which the stars in their expiring generations are less than the glinting of gnats, and nebulae, more trivial than winter breath; that darkness in which eternity lies bent and pale, a dead snake in a jar, and infinity is the sparkling of a wren blown out to sea; that inconceivable chasm of invulnerable silence in which cataclysms of galaxies rave mute as amber.
We're shaking up a format, which I think is always a good thing. The thing about [2011 Oscar hosts] James [Franco] and Anne [Hathaway] is, they've both hosted Saturday Night Live, and they both did a good job at it. So they are accustomed to working with short rehearsal time, and live, lots of pressure, rewrites, things like that. They can make quick changes, which is very advantageous, and they're skilled comedians.
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