A Quote by Vincent Van Gogh
And painted portraits have a life of their own that comes from deep in the soul of the painter and where the machine can't go.
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And I started with this: I have not painted at all my childhood. In fact, I never painted. But I helped my father who was a house painter and decorative painter. He made stage sets, he made glass paintings, he made everything.
All my forebears worked for a living. My grandfather painted portraits. My mother too. My aunt painted seascapes.
I'm quite a precious painter; my style is a messy fine art - sort of impressionist. I do portraits, I love painting other artists, but recently, I've been playing around with self portraits, putting on different characters.
Paintings have a life of their own that derives from the painter's soul.
What is a face, really? Its own photo? Its make-up? Or is it a face as painted by such or such painter? That which is in front? Inside? Behind? And the rest? Doesn't everyone look at himself in his own particular way? Deformations simply do not exist.
Albert Durer, the famous painter, used to say he had no pleasure in pictures that were painted with many colors, but in those which were painted with a choice simplicity. So it is with me as to sermons.
My own guess is that quite quickly the machine intelligence will start dreaming machine dreams and thinking machine thoughts, both of which would totally incomprehensible to us. This would then lead to each species, we and the machines, moving off on to its own separate life trajectory.
My father was a San Francisco firefighter. He also was an amateur artist. Art ran deep on his side of the family, which originated in Spain. He painted our portraits. My mom, Jacqueline, was Scots-Irish. They met in 1947 when dad played for the Houston Buffalos, a minor league baseball team affiliated with the St. Louis Cardinals.
every portrait that is painted with feeling is a portrait of the artist, not of the sitter. The sitter is merely the accident, the occasion. It is not he who is revealed by the painter; it is rather the painter who, on the coloured canvas, reveals himself.
Were it not for this [dissatisfaction], the perfect painting might be painted, on the completion of which the painter could retire. It is this great insufficiency that drives him on. The process of creation becomes necessary to the painter perhaps more than it is in the picture. The process is in fact habit-forming.
I'm an odd portrait painter in that I'm not just interested in human faces. I consider almost all of my paintings to be portraits.
I painted. I wanted to be a painter. I sang.
I do not care about my own appearance, but I would hope that people could see into my soul, and that is presented better in these photographs than in others. (On his self-portraits)
'You might think of combinatorics as a machine too', the major says. 'A different sort of machine, though. Have you heard of Babbage's analytic engine? He never built it. ... I have an analytic machine of my own-right here.' He taps his own skull.
I sort of feel that the role of a portrait in society is to represent the sitters, we see paintings of Shakespeare and we believe that it is what he looked like, well maybe a little older, fatter and with a higher hairline. I guess it would be cool if the portraits that were painted really did look like the sitter or expressed some sort of emotion that gave the viewers in the future a sense of the sitter's pathos at the time it was painted.
I'm a painter. I was a graffiti artist, and I painted all over the world.
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