A Quote by Vincent Van Gogh
I lost my job as an art salesman. It was the customer's fault. He wanted to buy the wrong paintings.
Related Quotes
The only thing I collect is art. I collect it because I like looking at it. A lot of it is really personal stuff that my friends have made, paintings that my husband's mother made, and things that I bought. I buy abstract art on eBay, and I buy some outsider art on eBay, or what is called folk art, I buy a lot of. I have a lot of professional art work as well as more stuff my friends' kids make. To have a wall of art to look at, I feel really surrounded by love, because so much of the work is related to my friendships.
At art school, a teacher said: 'The best paintings are when you get lost in a piece of work and start painting in a stream of consciousness.' I wanted to do music, not art, so started writing lyrics that way. The first song I wrote was called 'Ice Cream and Wafers.' The next was 'Holding Back the Years.'
If anything goes wrong, the customer doesn't care whose fault it is. He's the one who's going to suffer anyway.
Convincing isn't really possible in an age of customer control. Customers hold most of the cards today. They have good visibility into their choices, and they can easily share information with each other. Not only that, they don't like to be sold. But they do like to buy. Your job shouldn't be to convince customers to buy, but to help them buy what they want.
Art collectors are pretty insignificant in the scheme of things. What matters and survives is the art. I buy art that I like. I buy it to show it off in exhibitions. Then, if I feel like it, I sell it and buy more art.
I was a student, and as such you generally rely on prior models of how to make art, but these were not satisfying. Then I discovered in photos what had been missing in paintings; namely that they make a terrific variety of statements and have great substance. That is what I wanted to convey to paintings and apply to it.
Like it or not, people tend to buy paintings to match their drapes, couch or carpet. I know you want them to be so overwhelmed with your skills they can't resist hauling your art home. These three factors are what dictate most art sales.
Sometimes when I walk into one of my own stores, I look at the display and say, "This looks so good - I want to buy it." Yet other times I walk in and the displays and mannequins will be all wrong, and I don't want to buy anything. When a customer walks into a store, she's looking for inspiration. So I'm tuned in to people, and I care about what they need and who they are.
I was 20 years old. I had moved to Los Angeles from Columbus, Ohio. I was working as a piano salesman - a terrible piano salesman. I couldn't sell them. I could demonstrate them, but people wouldn't buy them from me.
I was always a little bit of a collector and a hoarder. And whenever I got involved in anything, whatever it was - even when I was a kid and I collected cigarette cards - I really got into it and had the most. So when it came to paintings, once I got the bug, I always wanted to buy something. But I really knew nothing about art.
The customer moved on long before the industry reacted to what she wanted. She doesn't want to buy things four months in advance, she wants to buy something today and wear it tomorrow. She cares less about seasons and collections and really what she's looking for is price, quality, and convenience.
In Germany, we often hear the absurd complaint that museums don't have the money to buy paintings. Of course, I'm not talking about me and my paintings. There are, after all, more popular painters in this country.
The public is upset. If they haven't lost their job, they know somebody that has. If they haven't lost their house, they know somebody that has. What do you do? When something's wrong, it's government's job to fix it, it must be government that's responsible for causing it.
I gave up on the idea of making art a long time ago, because I wanted to know how to make paintings; but once I came to know that, reconsidering the question of what art is returned as a critical issue.
I had people in 'Entertainment Weekly' talking about how they wanted to throttle me because they thought I was too disgustingly cute, as if that were my fault, you know, as if that was my fault, not the fault of directors and producers and such.
In a funny way, when things went wrong in my life - and it is my fault that they went wrong, it is not anyone else's fault - and all the glittering outside things were taken away, I was left with the things of most value.
Related Authors
Asger Jorn Quotes
Danish
Painter
David Salle Quotes
American
Painter
Domenico Gnoli Quotes
Italian
Painter
Henri de Toulouse-Lautrec Quotes
French
Painter
Jean-Auguste-Dominique Ingres Quotes
French
Painter
John Currin Quotes
American
Painter
Laszlo Moholy-Nagy Quotes
Hungarian
Painter
Marsden Hartley Quotes
American
Painter
Milton Resnick Quotes
American
Painter
Odd Nerdrum Quotes
Norwegian
Painter
Pablo Picasso Quotes
Spanish
Painter
Robert Bateman Quotes
Canadian
Painter
Robert Longo Quotes
American
Painter
Walter Darby Bannard Quotes
American
Painter