A Quote by Vincent Van Gogh
Ideas for work are coming to me in abundance...I'm going like a painting-locomotive.
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The coming and going of birth and death is a painting. Unsurpassed enlightenment is a painting. The entire phenomenal universe and the empty sky are nothing but a painting.
I thought I was going to be able to use my painting ideas as decoration on pottery, but my painting did not translate into decoration on pottery. I thought it was going to, and in fact I made, while still in school, a plate with one of my paintings on it, and that's exactly what it was, it was a plate with a painting on it. It was not a decorated plate; it was just a painting superimposed over a three-dimensional ceramic form.
The move from scarcity thinking to abundance thinking, from zero-sum competition to one-hundred-sum collaboration, is not just a “nice” or “moral” idea. In the twenty-first century, it's plain good sense. Scarcity says, “I'm going to keep all my ideas to myself and sell more than anyone else.” Abundance says, “By mentoring, coaching, and sharing all our best ideas, we're going to create a powerful tide that raises all our ships-and we'll all sell more as a result".
Start a painting with fresh ideas, and then let the painting replace your ideas with its ideas.
It's helpful for me to get ideas - the physical action of painting. Sometimes it frees up your writer brain. It's nice for me now that the writing has become a serious career that painting can become more like a hobby.
As long as we remain vigilant at building our internal abundance—an abundance of integrity, an abundance of forgiveness, an abundance of service, an abundance of love—then external lack is bound to be temporary.
I started getting really curious about art. I read about the Dadaists and the Futurists and the Constructivists - those kind of movements which were reflecting the angst of the people of their times. Their work was trying to lead a movement. I began thinking about what was happening, with painting on the streets and painting on the trains as being similar but also coming from a real, pure space. It wasn't being created by academies. It was a spontaneous combustion of ideas that just happened.
If I keep coming back to a painting and there's a little something that bothers me, I know I'm not going to get away with it. I'm going to have to fix it, change it, whatever it is, to something that I'm comfortable with, that doesn't make me itch when I look at it.
I think some of this just feels right. You're in the shower and you come up with a sentence and it's beautiful. You don't know how it's going to fit in the film, but you put it in because it feels right. This is a very long way of saying, so much of it is me feeling like I'm catching ideas rather than coming up with ideas. It's very fluid like that.
The essence of this law is that you must think abundance; see abundance, feel abundance, believe abundance. Let no thought of limitation enter your mind.
Bless... the two painting masters who first pointed out to me that there was coming and going among trees, that there was sunlight in shadows.
The vast amount of time it takes to make my paintings is very challenging. I have so many exciting ideas I would love to bring to a final painting, but my time-consuming technique limits the number of ideas that get to become a painting.
It seems strange to say this, but it is true: Coming back to Vegas to work is like going on vacation for me.
I keep "leave me alone, I'm busy " pretending to work sign with me because my dad once told me to find a job that you would do for free and I would do this job for free. But I would be a performer for free because that's all I've ever loved to do. I've worked so hard to get to the point where work doesn't feel like work. So when I come to work, I'm actually coming to play - I'm coming to recess. So, when you see me, leave me alone, I'm busy ... pretending to work.
I liked drawing and painting, because the only failure would be to listen to the doubters who wanted me to stop drawing and painting because 'you aren't going to make a living doing that.' I liked looking in art books at the work of painters.
Personally I would like to have pupils, a studio, pass on my love to them, work with them, without teaching them anything.. ..A convent, a monastery, a phalanstery of painting where one could train together.. ..but no programme, no instruction in painting.. ..drawing is still alright, it doesn't count, but painting - the way to learn is to look at the masters, above all at nature, and to watch other people painting.
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