A Quote by Vincent Van Gogh

I know for sure that I have an instinct for color, and that it will come to me more and more, that painting is in the very marrow of my bones. — © Vincent Van Gogh
I know for sure that I have an instinct for color, and that it will come to me more and more, that painting is in the very marrow of my bones.
Painting from life was incredibly important for me because it allowed me to train my eyes to see everything that is there. But I realized early on that painting from life wasn't something that I was all that invested in. I was always more interested in the painting than I was the people. For me, removing that as a compulsion offered me a lot more freedom to actually paint and think about color, form, movement, and light.
No one will ever know what 'In Cold Blood' took out of me. It scraped me right down to the marrow of my bones. It nearly killed me. I think, in a way, it did kill me.
The older I get, the more I feel that color is what painting is. Painting is primarily color.
Dancers have more bones than most people and on the days when you work hard you are sure that you have somehow accumulated more bones than you started with.
You will think me cruel, very selfish, but love is always selfish; the more ardent the more selfish. How jealous I am you cannot know. You must come with me, loving me, to death; or else hate me, and still come with me, and hating me through death and after. There is no such word as indifference in my apathetic nature.
Deep, dark unearthly black. I hadn't told anyone yet, but the color kept streaking across my mind at the oddest moments. When it did, my skin shivered pleasantly, and it was as if I could feel the color tracing a finger tenderly along my jaw, tipping my chin up to face it directly. I knew it was absurd to think a color would come to life, but once or twice, I was sure I'd caught a flash of something more substantial behind the color. A pair of eyes. The way they studied me cut to the heart.
I was 85 lbs. at my 2000 homecoming dance. But I wanted my collarbones and hip bones to show more. I'd feel my hip bones to make sure they were out. If not, I had more weight to lose. I lost my period until I was 17. I loved that. It meant I wasn't healthy, and I didn't want to be healthy.
I bleed my bones, their marrow to bestowUpon that God who knows what I would know.
I've found, as I'm sure you have, that when you're trying to learn from the Lord and you feel an impression from the Spirit, it's important to make a note so it will not be forgotten. The more you not only hear but abide by what you've been told, the more the Lord will give to you. It will come more and more rapidly and you will begin to hear and feel those impressions of the Spirit more quickly than you have previously done.
I will devour you. I will lick your bones clean and crush them between my teeth. I will suck the marrow…” “That’s nice,” Kate said. “The shield.
I'm not going to play a racial game. With me, you're going to meet a guy named Shelby Steele, and you will have to get to know me as an individual. The color of my skin won't tell you anything. I think there's more and more of that in America.
Another thing that you really do when you play, that you're supposed to do, is colors. You know, you cannot play with one color. If you play with one color, again, it's like watching a beautiful painting, a drawing, but it's all in blue or it's all in red. May be very nice, but not very interesting.
I don’t trust painting. At least not in New York. Most painting here relies on formula and repetition, whoring itself to the market. There seems to be no risk and once a painter gets a strategy, very little exploration. As a result, I stopped thinking about painting a long time ago. I prefer forms of art that are more market-resistant, more idea-based, more - for lack of a better word - risky.
A Who's Who of pesticides is therefore of concern to us all. If we are going to live so intimately with these chemicals eating and drinking them, taking them into the very marrow of our bones - we had better know something about their nature and their power.
I love going to the runway shows. It's not so much for me a shopping trip as it is the appreciation of the craft of these design geniuses who come up with beautiful color combinations and beautiful proportion suggestions and these kind of ideas, so I look at the runway shows in very different ways, just kind of a romantic artistic interpretation of how they would like to see fashion going forward, but for me it's much more abstract. The runway shows are much more abstract than you know what ends up on people is much more real to me.
Painting is drawing, with the additional means of color. Painting without drawing is just 'coloriness,' color excitement. To think of color for color's sake is like thinking of sound for sound's sake. Color is like music. The palette is an instrument that can be orchestrated to build form.
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