A Quote by Vincent Van Gogh

I see drawings and pictures in the poorest huts, in the dirtiest corner. And my mind is drawn toward these things by an irresistible force. — © Vincent Van Gogh
I see drawings and pictures in the poorest huts, in the dirtiest corner. And my mind is drawn toward these things by an irresistible force.
I see drawings and pictures in the poorest of huts and the dirtiest of corners.
Though I am often in the depths of misery, there is still calmness, pure harmony and music inside me. I see paintings or drawings in the poorest cottages, in the dirtiest corners. And my mind is driven towards these things with an irresistible momentum.
All my work begins with drawings. I don’t labor over my drawings. I want to get freedom in the line. I like to be able to get swift curves in the plant drawings that are usually drawn in five to ten minutes.
Centripetal force is the force by which bodies are drawn from all sides, are impelled, or in any way tend, toward some point as to a center.
And you can look up just about anything, even dirty pictures. Every now and again, the dirtiest pictures you ever saw would pop up on the screen. Imagine!
My mind works like Google for images. You put in a key word; it brings up pictures. See language for me narrates the pictures in my mind.
Introspection, or 'sitting in the silence,' is an unscientific way of trying to force apart the mind and senses, tied together by the life force. The contemplative mind, attempting its return to divinity, is constantly dragged back toward the senses by the life currents.
I will see you bereft of all that you have, of home and happiness and beautiful things. I will see your nation cast down and your allies drawn away. I will see you as alone and friendless and wretched as am I; and then you may live as long as you like, in some dark and lonely corner of the earth, and I shall call myself content. -Lien, Albino Celestial (Dragon)
I like the drawings. And as a photography fan myself, I would look at Helmut Newton or Irving Penn and like to see the initial notes or drawings, to see where the ideas grew from. Also my sketches are key to my work because I came to realise early on that by doing drawings, I could formulate a plan of what I was thinking of - I could take control and direct the work.
I think control is the wrong word. I would put it this way. You see a lovely girl across a crowded room and you walk toward her with hope in your mind. That's the way [my] pictures are made.
I'm not drawn to people that much unless there's a really serious energy happening, but I'll take a lot of pictures of trees, or I'm always staring at the ground. I'll see an oil stain that looks like something out of 'Lord of the Rings' or something, and that's what kind of calls to me... I'm drawn to that aspect of photography.
Above Coblentz almost every mountain has a ruin and a legend. One feels everywhere the spirit of the past, and its stirring recollections come back upon the mind with irresistible force.
My mind can take no hold on the present world, nor rest in it a moment, but my whole nature rushes onward with irresistible force towards a future and better state of being.
That's what's cool - you don't know what your kids are gonna be drawn to or what's gonna excite them and what's gonna motivate them. So it's cool to see their personalities develop and see the things that they lean toward.
My aim in life is to make pictures and drawings, as many and as well as I can; then, at the end of my life... looking back with love and tender regret, and thinking, 'Oh, the pictures I might have made!'
The world concerns me only in so far as I feel a certain indebtedness and duty toward it because I have walked this earth for thirty years, and, out of gratitude, want to leave some souvenir in the shape of drawings or pictures — not made to please a certain taste in art, but to express a sincere human feeling.
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