I bow to all the seekers of truth. At the very outset we have to know that truth is what it is. We cannot think about it, we cannot conceptualize it. Unfortunately at this human level we cannot feel it, we cannot know it. We have to be the spirit to know the truth.
I think I do pose the biggest threat to Aldo. I feel like my boxing is better than his. He's a kick boxer, with devastating kicks. Neither one of us cares to take it to the ground. I feel with my unpredictability and my boxing, I pose a big threat to him.
Kissinger projects a strong impression of a man at home in the world and on top of his brief. But there are a number of occasions when it suits him to pose as a sort of Candide: naive, and ill-prepared for and easily unhorsed by events. No doubt this pose costs him something in point of self-esteem. It is a pose, furthermore, which he often adopts at precisely the time when the record shows him to be knowledgeable, and when knowledge or foreknowledge would also confront him with charges of responsibility or complicity.
Intelligent people know they are intelligent. They also know that one person cannot know all, hence a person is not stupid simply because he is ignorant of one thing or another. They know that, to another intelligent person, they will not appear stupid in asking for an explanation of what they do not know, and so their ignorance on any particular issue does not become an embarrassment.
We know how to convey exactly what we want to convey. We know how it makes us feel and we know exactly how to show our fans how to feel the same way.
As a model you have to convey something with one look - and actors will have a scene and they can sort of do it, but models have to convey what photographers want. It's a bit of an art.
I do not pose my sitters. I do not deliberate and then concoct... Before painting, when I talk to the person, they unconsciously assume their most characteristic pose, which in a way involves all their character and social standing - what the world has done to them and their retaliation.
The painting is always done very much with [the model's] co-operation. The problem with painting a nude, of course, is that it deepens the transaction. You can scrap a painting of someone's face and it imperils the sitter's self-esteem less than scrapping a painting of the whole naked body.
In spite of all similarities, every living situation has, like a newborn child, a new face, that has never been before and will never come again. It demands of you a reaction that cannot be prepared beforehand. It demands nothing of what is past. It demands presence, responsibility; it demands you.
If your idea of a role model is somebody who's gonna preach to your kids that sex before marriage is wrong and cursing is wrong and women should be this and be that, then I'm not a role model. But if you want your girls to feel strong and intelligent and be outspoken and fight for what they think is right, then I want to be that type of role model, yeah.
After tiny has tried ballerina pose, swing-batter-batter pose, pump-up-the-jam pose, and top-of-the-mountain-sound-of-music pose in the reflection of the bean, he walks us to a bench overlooking lake shore drive.
I do what I can to convey what I experience before nature and most often, in order to succeed in conveying what I feel, I totally forget the most elementary rules of painting, if they exist that is.
God's commands are designed to guide you to life's very best. You will not obey Him, if you do not believe Him and trust Him. You cannot believe Him if you do not love Him. You cannot love Him unless you know Him.
I know how pathetically inadequate my medium [painting] is, but unfortunately I dispose of no other.
Tohru: Call a doctor, or a vet, or anybody! Oh, Mr. Postman, it's terrible! You see, they're animals!
Postman: Uh, yes, they certainly are. Here's your mail.