A Quote by Vincent Van Gogh

But after all I find in my work an echo of what struck me. I see that nature has told me something, has spoken to me, and that I have put it down in shorthand. In my shorthand there may be words that cannot be deciphered. There may be mistakes or gap
I didn't know shorthand either. This meant I couldn't get a good job after college. My mother kept telling me nobody wanted a plain English major. But an English major who knew shorthand would be something else again. Everybody would want her. She would be in demand among all the up-and-coming young men and she would transcribe letter after thrilling letter. The trouble was, I hated the idea of serving men in any way. I wanted to dictate my own thrilling letters.
As for organs, traits, etc., being "for" something, the notion may be a useful shorthand, but shouldn't be taken too seriously, if only because of the ubiquitous phenomenon of exaptation.
I decided I would put off the novel until I had gone to Europe and had a lover, and that I would never learn a word of shorthand. If I never learned shorthand I would never have to use it.
A chief petty officer taught me shorthand, which got me promoted to yeoman first class.
I find I like to work with a lot of the same actors, because I find that there's sort of shorthand there, and there is this unspoken trust, both ways. They trust me and I trust them. And I know what I'm going to get from them, to an extent. It's just fun, kind of creating this little family.
For those who need a name, there's a gift basket of medical terms. All I know is cutting made me feel safe. It was proof. Thoughts and words, captured where I could see them and track them. The truth, stinging, on my skin, in a freakish shorthand. Tell me you're going to the doctor, and I'll want to cut worrisome on my arm. Say you've fallen in love and I buzz the outlines of tragic over my breast. I hadn't necessarily wanted to be cured.
You may shoot me with your words, you may cut me with your eyes, you may kill me with your hatefulness, but still, like air, I'll rise!
Flatter me, and I may not believe you. Criticize me, and I may not like you. Ignore me, and I may not forgive you. Encourage me, and I will not forget you. Love me and I may be forced to love you.
I didn't take up shorthand with any idea of becoming a professional at it. It merely appeared to me to be a good thing to know - something that might come in handy.
Though you may hear me holler, And you may see me cry-- I'll be dogged, sweet baby, If you gonna see me die.
Won't You guide me through the dark night of the soul That I may better understand Your way... Let me purify my thoughts and words and deeds That I may be a vehicle for Thee... Give me my rapture today.
I find myself frequently placed where I dare give neither assent nor dissent to propositions that are submitted to me; for there is danger that any words I may speak shall be reported as something that the Lord has given me. It is not always safe for me to express my own judgment; for sometimes when someone wishes to carry out his own purpose, he will regard any favorable word I may speak as special light from the Lord
Catherine Keener really gets me. She and I have such a shorthand together.
It does matter where you go to church, it does matter where you worship, it does matter where you lift your head, it does matter where you cry out to God. There is something about the atmosphere. I might be lame, but put me in the atmosphere. I may be drunk, but put me in the atmosphere. I may be weak, but put me in the atmosphere.
People have told me that they cannot put down 'If I Stay' after reading it, and readers have become very invested in the love story between Adam and Mia.
In all the people I meet - though some may be governed by the self-centered nature and may not know their potential at all - I see that divine spark. And that's what I concentrate on. All people look beautiful to me; they look like shining lights to me. I always have the feeling of being thankful for these beautiful people who walk the earth with me.
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