A Quote by Vincent Van Gogh

An artist needn't be a clergyman or a churchwarden, but he certainly must have a warm heart for his fellow men. — © Vincent Van Gogh
An artist needn't be a clergyman or a churchwarden, but he certainly must have a warm heart for his fellow men.
For the taking of revenge, a man locks himself up alone and thinks. His stomach must be empty for his head to be full. Vengeance comes a little from the heart and a lot from the mind; one must take oneself apart from the noise of men and of things, even from what resembles them; only the voices of bells and of thunder are allowed. Let the room in which you meditate be dark, narrow and warm.
Man can see his reflection in water only when he bends down close to it, and the heart of man, too, must lean down to the heart of his fellow; then it will see itself within his heart.
The critic, to interpret his artist, even to understand his artist, must be able to get into the mind of his artist; he must feel and comprehend the vast pressure of the creative passion.
The artist's work constitutes the only satisfactory relationship he can have with his fellow men since he seeks his real friends among the dead and the unborn.
An author, like any other so-called artist, is a man in whom the normal vanity of all men is so vastly exaggerated that he finds it a sheer impossibility to hold it in. His over-powering impulse is to gyrate before his fellow men, flapping his wings and emitting defiant yells. This being forbidden by the police of all civilized nations, he takes it out by putting his yells on paper. Such is the thing called self-expression.
If we are to accept the teaching of Jesus at all, then the only test of the reality of a man's religion is his attitude to his fellow men. The only possible proof that a man loves God is the demonstrated fact that he loves his fellow men.
An artist need not be a minister or a collector in church, but he must have a warm heart for people, and I find it a noble thing that, for example, no winter passed without The Graphic doing something to keep alive sympathy for the poor.
If he [the Artist] were to take up the pen it would be...to better express his individuality and explain it to others; or else to put his internal affairs in order...to deepen and sharpen his relationship with his fellow men because other souls exert an immense and creative influence on our soul; or to try to fight for a world as he would like it to be, for a world that is indispensable to his life.
In Macbeth a lady is restrained from the murder of a king by his resemblance of her father as he slept. Should not all men be restrained from acts of violence and even of unkindness against their fellow men by observing in them something which resembles the Savior of the World? If nothing else certainly, a human figure?
I believe that one can and must hope for a sane society that furthers man's capacity to love his fellow men, to work and create, to develop his reason and his objectivity of a sense of himself that is based on the experience of his productive energy. I believe that one can and must hope for the collective regaining of a mental health that is characterized by the capacity to love and to create.
When a man says he must develop a holy life alone with God, he is of no more use to his fellow men: he puts himself on a pedestal, away from the common run of men.........If we are abandoned to Jesus, we have no ends of our own to serve.
The ideal audience the poet imagines consists of the beautiful who go to bed with him, the powerful who invite him to dinner and tell him secrets of state, and his fellow-poets. The actual audience he gets consists of myopic schoolteachers, pimply young men who eat in cafeterias, and his fellow-poets. This means, in fact, he writes for his fellow-poets.
In whatever area in life one may meet the challenges of courage, whatever may be the sacrifices he faces if he follows his conscience - the loss of his friends, his fortune, his contentment, even the esteem of his fellow men - each man must decide for himself the course he will follow. The stories of past courage can define that ingredient - they can teach, they can offer hope, they can provide inspiration. But they cannot supply courage itself. For this each man must look into his own soul.
Modern man is alienated from himself, from his fellow men, and from nature. He has been transformed into a commodity, experiences his life forces as an investment which must bring him the maximum profit obtainable under existing market conditions.
I feel ever so strongly that an artist must be nourished by his passions and his despairs. These things alter an artist whether for the good or the better or the worse. It must alter him. The feelings of desperation and unhappiness are more useful to an artist than the feeling of contentment, because desperation and unhappiness stretch your whole sensibility.
The artist must be like a heart surgeon. He must approach something with sympathy, but with a sort of coldness and work and work until he finds some kind of perfection in his work. You can't have blood splashing all over the place. Things must be done very cleanly.
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