A Quote by Vinessa Shaw
I think all of the directors I've worked with are mostly curious about the time I had on 'Eyes Wide Shut.' They really just want to know about it. They're all fans of Kubrick.
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When I was working with Stanley Kubrick [on "Eyes Wide Shut"], he would always say, "You never tell the audience what to feel. Let them choose to have their responses."
David Fincher is one of the best directors I know, so I'm really curious to see it. Really curious, and I want to hear Daniel have the Swedish accent.
I want to learn more. I want to know more. That's what taking this time is about. I'm curious about so many things, but haven't had occasion to be exposed to them enough to really appreciate them.
I'd worked with directors who wouldn't collaborate. Then I've also worked with directors who didn't really know what they wanted. I knew I didn't want to be either one of those guys - or girls.
You must be Warden Ramirez." This is the part where I got nervous. Ramirez loved women. Ramirez never shut up about women. Well, he never shut up about anything in general, but he'd go on and on about various conquests and feats of sexual athleticism and— "A virgin?" Lara blurted. Lara blurted. She turned her head to me, grey eyes several shades paler than they had been, and very wide. "Really, Harry, I'm not sure what to say. Is he a present?
I don't know whether I have ideas all the time. I think I'm curious about things all the time; I think I'm always curious, and I think I'm always interested in whatever passes by, and I know I tend to think about things, and I tend to talk about things, and sometimes that takes root and gives me something to chase.
There are things that directors know about me that people shouldn't know. But everyone's really different. I've worked with women who I've never wanted to tell anything about myself to, and I've worked with guys who have been pouring wells of emotion. So emotional availability is not a gender-specific thing.
I'm very curious about David Bowie's new record [2016]. I'm very, very... I'm just incredibly curious, I want to see what's happening with that. I don't really know who else is putting out records, we've had our heads buried working on ours. I haven't really been paying much attention lately.
It was a shut door, and shut doors meant things kept to yourself. There were reasons you kept things to yourself, and they usually weren’t good, happy, open-air sort of reasons. Still, I didn’t want to see behind that door. You think you want to know everything there is to know about everything there is to know. But you don’t. Not really. I had pried the lid off of the dark places of another person before, I had seen inside. Down deep. You don’t want to look at what’s rotting there.
I actually met a producer of Stanley Kubrick's who told me that Kubrick had never even thought about doing Perfume: The Story Of A Murderer. He just read it and didn't want to do it - that's it. There's a myth around that he said it's not filmable. But he never wanted to film it.
There are people that really live by doing the right thing, but I don't know what that is, I'm really curious about that. I'm really curious about what people think they're doing when they're doing something evil, casually. I think it's really interesting, that we benefit from suffering so much, and we excuse ourselves from it.
From the time I was a little girl, I'd just always been naturally curious. And I was raised in a family that... would just get really worked up about inequities and unfairness.
A lot of these roles that I feel like I've had some sort of impact, or that have had an effect on me, have always been with directors who have the time to somehow get to know me. Any good director's going to be curious about who it is that's coming aboard.
It's human nature to be curious about people, and to be more curious about young people than old people. We want to cheer something on at the same time we want to tear it down. That's just so normal.
Certainly as actors, and maybe as directors, you've got to hang on to something childlike. You've got to know what play is. I haven't worked with Mike Leigh, but I know him very well and there's something open in his eyes about what's in front of him. And the same is true of Alfonso in a Mexican, mad way. There's an enthusiastic response to something. Neil Jordan, the same, when he gets excited . You just want to know there's a human being in there.
I think what's so great about TV is I don't know if all these things were planned at first, or if they see the fans' reactions to things. They really do listen to what the fans want, and feel strongly about, and push for, so all these things are happening organically.
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