A Quote by Vinnie Colaiuta

Anytime you strike the drums, you have to be aware that you're creating a musical event. — © Vinnie Colaiuta
Anytime you strike the drums, you have to be aware that you're creating a musical event.
The original 'Don't Let It Get to You' started with a beat. The drums came first. All the musical and lyrical elements were written over those drums.
The thing that interests me far more than anything is creating music, songwriting and arranging, and in that context drumming itself is a means to an end. I think it's really easy to forget that - I'd sooner play something musical than flash, and as I can't play anything flash, I try to be musical. Drums can set a mood, create an impression, as much as anything else.
I come from a very musical family. My dad taught me to play guitar. I play violin and drums as well. Violin, I started in elementary school. Drums actually came when I was in a program called 'Rock Star,' which was really awesome. We were doing a song by the Ramones, so I thought, 'Why not play the drums?'
When I was at Stratford, the very first thing that I was commissioned to work on was trying to make a musical out of the documentary material about the General Strike, which was the next big historical event in England, after the First World War.
There was a gas strike, oil strike, lorry strike, bread strike, got to be a Superman to survive.
All I ever wanted to do was play the drums; I felt good about myself when I played the drums. So I worked anywhere and everywhere I could lug my drums in.
We are on strike, we, the men of the mind. We are on strike against self-immolation. We are on strike against the creed of unearned rewards and unrewarded duties. We are on strike against the dogma that the pursuit of one's happiness is evil. We are on strike against the doctrine that life is guilt.
Anytime you see Beyonce, Jay Z, Kanye West. Anytime a young black person's doing good, that's motivation for everybody else. Anytime, anytime, it's motivation. Use that fuel to push you forward. That's what I did.
I was living in different accommodation and it was never in a place where I could set up my drums and play, so my drums would end up back in their cases and then in the garage. In the end I got used to the drums being locked up, I went a good eight years without touching drums.
If you go to any fight, whether MMA or boxing, there's a whole musical soundscape to these events. There's pre-event pump up/psych-up music, there's fighter introductions, there's between rounds, so my musical needs are really diverse.
Well I had a musical background, but I still didn't know a lot about drums at the time.
When I was working in Japan, I created a system for ensuring that intelligence data was globally recoverable in the event of a disaster. I was not aware of the scope of mass surveillance. I came across some legal questions when I was creating it. My superiors pushed back and were like, "Well, how are we going to deal with this data?" And I was like, "I didn't even know it existed."
WrestleMania is a major event and that's an understatement obviously, but it's a major event from the standpoint that many other companies use WrestleMania as a source of creating new revenue.
Suffice to say that the TG2, Germ pre and EQ, and TG1 are there anytime I track drums, TG2 for guitars and the LTD-1 is there whenever I do vocals!
Like a sporting event, live events are the one thing you can't have anytime you want them.
Fatherlessness didn't strike me as being an event. It was a state of life.
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