A Quote by Vinnie Paul
With the last couple of Pantera records, we kept getting more and more narrow-minded because of Phil. He didn't want to experiment or take any chances, and it was like being in a tube that was getting to be so small you couldn't even breathe. Personally, I think the dude was afraid of success.
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I think I understand what bands want, just from having made records myself. I understand what it takes to get a good vocal sound, or to make people comfortable in the studio. From minor things like their headphone mix - and if a singer's singing, how they should hear themselves - to how to make people feel that they're getting exactly what they want. All those things, I think, are an advantage, especially the part about having done it myself. I'm not just an engineer who records the sounds well. I'm not afraid to take chances.
That's what I love, getting the tube, not getting any recognition, trying to be as normal as possible. Sometimes you get a big Arsenal fan and they tell you they have a season ticket or want to have a chat, which is fine. Some want a selfie, but sometimes I just want to say: 'Let's just shake hands. It means more than a picture.'
Even though over the last years I've had more and more success and I've been getting better on the tour, I think I've lived this kind of life as an athlete for many years already.
I think the narratives on 'Trans,' 'Plans,' and 'Narrow Stairs' moved away from the way I wrote on the first couple of records, which was a lot more impressionistic. I was writing those songs in my early 20s, so I thought I was being more clear than I actually was.
I've always noticed that nobody can be single-minded who isn't narrow-minded; and I think it likely that people who aren't so cocksure what they want to do with themselves, hesitate because they have a great deal more to deal with. A nature rich in fine and complex possibilities takes more time to dispose of itself, but when it does, the world's beauty is the gainer.
We definitely didn't want it to be anything like our first or second records. We wanted to experiment more than we ever had and take any new idea and run with it as far as we could.
I more remember the periods of time when I wasn't getting any auditions. That's more what I find painful in memory; that feeling of not even getting the chance to try and be rejected.
I've grown fonder for Hillary Clinton since she ran for the presidency. I think that it's emblematic of the Rolling Stones song, you can't always get what you want, i.e., the grail. Sometimes you get what you need. And whatever she's gotten over the last couple of years, being humbled or be it being humbled and see the proletariat come to bat for her, getting outside of the bubble, getting out of this man's shadow, not quite getting the job she wants but a great wonk job.
I love getting on You Tube to look at the old comics. I am in my element seeing guys like Jack Benny and Phil Silvers give interviews.
I'm afraid of a couple things. I'm afraid of getting caught up in other people's expectations, because I feel like that's an ongoing battle.
I am afraid of getting older … I am afraid of getting married. Spare me from cooking three meals a day—spare me from the relentless cage of routine and rote. I want to be free…. I want, I want to think, to be omniscient…. I think I would like to call myself ‘The girl who wanted to be God.
Anyone who has any kind of success in Hollywood wants to make more expensive movies and spend more money, be bigger. I think it's unusual to have success and want to stay small.
Personally I'm hoping to spend the last years of my life plugged into a real life MMORPG simulation that makes me think and feel like I'm 18 again while my 90 year old body lies in a tube somewhere getting fed thru an IV. Be a great way to finish up a life.
In terms of getting people to experiment more and take more risk, there are at least three things that immediately come to my mind. Number one, of course, is role-modeling it yourself. Number two is when people take intelligent, smart risks and yet it doesn't work out, not shooting them. And number three, being honest with yourself. If the culture you have is radically different from an experiment and take-risk culture, then you have a big change you going to have to make—and no little gimmicks are going to do it for you.
Im still getting more familiar with the plays and different things, but I think that will come along with getting more experience and getting to know the guys better.
The audience got jaded, they want a hit, they want a big success, and so you don't want to experiment because you say, well, I'll disappoint the audience, they may not like it, I better do something that I think is more commercial.
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