A Quote by Vinnie Paul

I'm a rock drummer. I couldn't sit down and pretend to be a jazz drummer. — © Vinnie Paul
I'm a rock drummer. I couldn't sit down and pretend to be a jazz drummer.
My dream job is to be a rock drummer and the alternate drummer for the Foo Fighters.
Even though I'm a jazz-trained drummer, I cut my teeth playing rock.
Lars Ulrich is not a jazz drummer, but he grew up listening to jazz. Why? Because his father, Torben - an incredible tennis player - loved jazz. Jazz musicians used to stay at their house.
My drummer is my favorite drummer in the world, and he also happens to be the funniest person you'll meet.
I told people I was a drummer before I even had a set, I was a mental drummer.
My drummer right now, who was also the first drummer in Weeping Tile, Jon McCann, told me that [Hip drummer] Johnny Fay took drum lessons from [McCann's] dad, who taught a lot of the drummers in Kingston. He said that when he was in Grade 9, the Hip were the model; the goal was to get an agent and gig as much as possible.
Once I had defined myself as a compositional drummer, I thought, "Well, I want to be an improvisational drummer."
I never professed to be a great drummer but I was a very heavy drummer.
It takes a pretty good drummer to be better than no drummer at all.
Before you can follow your own drummer, you have to hear the drummer.
LCD Soundsystem - they put the drummer in front. I always thought that was cool. Because the drummer is usually the guy in the back.
In 1962 I wrote for 'Jazz News,' using the pseudonym Manfred Manne, which I picked because of a jazz drummer with that name. I later dropped the 'e.'
I'd much prefer to hear somebody like Ed Thigpen [drummer with New York session group Stuff, and featured on innumerable hits] take a solo. I mean, that's what it is. I'd much rather hear that than the jazz/rock thing because it's blowing an aspect of jazz that I really like...the level where you can snap your fingers to it and you can groove to it. You can do anything to it.
At this point, I think I would garner a lot of hate mail if I was now on the cover of Modern Drummer seeing as I'm not a modern drummer anymore.
Phil is a real drummer's drummer.
But, I don't think any arranger should ever write a drum part for a drummer because if a drummer can't create his own Interpretation of the chart and he plays everything that's written, he becomes mechanical; he has no freedom.
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