I had some proper training, but that was only on snare drum. Learning all the techniques in marching bands and realizing how important it is to play tight set a standard for me for when I did get into a band.
My dad was a kind of semiprofessional Dixieland-type drummer, and I learned the drums from him. When I was about twelve, we bought our first Ludwig drum set from a pawnshop - a marching-band bass drum, great big tom-toms, and big, deep snare drums.
When I was in the marching band, I used to take my snare drum and turn it over and use my drumstick and scratch on the other side. That was just being creative.
My favorite instrument is the snare drum. In Scotland, the snare drum is very prominent in Highland bands. The Scottish style of playing is in my blood. It's a very powerful instrument, but it can also be soothing, like velvet. It's a real challenge for composers.
I've wanted to be a drummer since I was about five years old. I used to play on a bath salt container with wires on the bottom, and on a round coffee tin with a loose wire fixed to it to give a snare drum effect. Plus there were always my Mum's pots and pans. When I was ten, my Mum bought me a snare drum. My Dad bought me my first full drum kit when I was 15. It was almost prehistoric. Most of it was rust.
I'm a freak, everything has to be totally flat when I play. Ed Will, my jazz teacher, set up everything completely flat, and then you'd tilt your snare drum away from you, so I do that too. So my snare tilts away from me.
I was playing legit snare with a traditional grip, not a matched grip. After I broke my left wrist, I couldn't hit a snare drum anymore. From the age of 13 to 17, I couldn't really get a pop on the snare drum. I would hit it, and my wrist would almost shatter.
I do get labeled as a guitar band, but the only reason is that's the instrument I know how to play. The guitar is serving the song I'm writing. But I'm learning how to play keyboard better now so that'll start serving the song as well; it'll be another flavor. I'm not going to switch it up with big, fat drum machine beats and real swoopy synths, but yeah...
It's important to recognize how special New Orleans is. You play the snare drum or the clarinet in any other city, and you'd be considered a nerd, but here, there's no shame in it, and it's absolutely valued.
Dad bought me a toy drum one Christmas, and I eventually destroyed it. I wanted a real drum and he bought me a snare drum. Dad continued to buy me one drum after the other.
Dad bought me a toy drum one Christmas and I eventually destroyed it. I wanted a real drum and he bought me a snare drum. Dad continued to buy me one drum after the other.
Yeah, Travis Scott's dad taught me how to ride minibikes and how to repair the engines. His name's Jack Webster. Jack had a drum set and his brother had a bass. So I used to play with them, and that's what started me wanting to get into music and take it serious. And this is before rap.
When I was a kid, I was playing in various bands - amateur bands, garage bands, weekend bands, you name it, around the area. At some point, I just wanted to try the whole 'Beatle tribute band' thing, so I found a local band that was doing that.
I think I had a good rookie year, but at the end of the day, I want to be one of the best tight ends ever to play, and I'm going to set my standard for that and work toward that goal.
I think the majority of the people in the band still play in other bands, because we're not that active. But for me, it's the only thing I want to do and it's the only thing I'm focused on. I've always played in a couple of different bands at once, but now I'm only interested in the Dead Child stuff.
Then I tried out for the Fontana High School drum line, in Riverside, and I did really well. I got second chair, and played snare in that drum line for three years.
I got my first set of drums when I was around 3. I went from band to marching band to Latin jazz band - it's like riding a bike.