A Quote by Vinod Khanna

Working in 'Man Ka Meet', I noticed the dedication and sincerity of Sunil Dutt at his work. He encouraged every new comer and made me as well as others feel very comfortable on the sets.
When 'Chaudhvin Ka Chand' was released, it was a big success and very well appreciated. At that time, colour films had just started to be made, and Guru Dutt decided to take the title song of the film, shoot it in colour and rerelease it with new fanfare.
I am proud to declare I am Sunil Duttsaab's discovery. He gave me my coveted break in 'Maan Ka Meet.'
So what if I am an actor? MGR, Jayalalithaa, Raj Babbar, Sunil Dutt - all made successful politicians.
I'm the only composer who has scored for two-three generation of actors. Be it for Amitabh Bachchan, Abhishek Bachchan or Dharmendra, Sunny Deol or Sunil Dutt, Sanjay Dutt - I have done it all.
It is unfortunate that nobody has highlighted the work done by actor-turned-politician Sunil Dutt.
Not many know but I did maximum films with Sunil Dutt, who was a thorough gentleman and enthusiastic about everything. He loved making tea for everybody on the sets and that is how I formed habit of having four to five cups of tea in a day.
Sunil Dutt asked me, rather pushed me, to join politics.
Twentieth-century man needs to be reminded at times that work is not the result of the Fall. Man was made to work, because the God who made him was a 'working God.' Man was made to be creative, with his mind and his hands. Work is part of the dignity of his existence.
A novelist's lack of awareness of and critical distance to his own body of work is due to a phenomenon that I have noticed in myself and many others: as soon as it is written, every new book erases the last one, leaving me with the impression that I have forgotten it.
Impress upon children the truth that the exercise of the elective franchise is a social duty of as solemn a nature as man can be called to perform; that a man may not innocently trifle with his vote; that every elector is a trustee as well for others as himself and that every measure he supports has an important bearing on the interests of others as well as on his own.
I didn't know Michael Heizer until I was preparing for my "Earthworks" show in 1968, and somebody called and told me to look at his work. Heizer had already made land art before any of the others and was deeply into it. But he was very young and working out West, so I wasn't aware of his work until he came and showed it to me.
Men like Sunil Dutt should not be mourned, only envied for their greatness.
My direction as a person working in film has been to never get comfortable with anything I was doing. At the time that I decided to do action films, people were telling me, "Well, you can't do it. You're not that type. It's not going to work." And so obviously that made me think, "Well, that's not comfortable. Maybe I should try it. What can I do with it?" So I did that, and I'm glad I did it. I'll probably do it again, and I did other kinds of things that seemed like challenges for me, because I like being on the high wire.
'Padosan' is a three-dimensional film. The chemistry between Saira Banu, Sunil Dutt and Mehmood is too good.
After my graduation from Sydenham College with a degree in Commerce, I was spotted by late Sunil Dutt, my idol, to act in films.
Noah Baumbach does more takes than any director I've ever worked with. He runs a very quiet set and he runs a very hard working set. He has such an intense level of dedication to what's happening that he cultivates a group of people around him who have an equal level of dedication. Nobody asks, "When is lunch?" That's just not part of our sets. It's complete immersion. He has a 'no cell phone' rule. Nobody checks their cell phone. Nobody reads on set. It's like, "If you're there, you're there. If you're not on board with that, don't work on this movie."
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