A Quote by Viola Davis
Sometimes people come in as a director, and they just want the result, and they barely want that to tell you the truth. Sometimes directors barely talk to the actors; they are so focused on the cinematic elements of the movie, getting the shot and getting the lighting right or getting the CGI effects right and all of that, and they just trust that you are just going to do what you do.
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That's what I love, getting the tube, not getting any recognition, trying to be as normal as possible. Sometimes you get a big Arsenal fan and they tell you they have a season ticket or want to have a chat, which is fine. Some want a selfie, but sometimes I just want to say: 'Let's just shake hands. It means more than a picture.'
People are dying to tell you their secrets; it's just a matter of getting the conversation going in the right direction. If you just let people fill the silence, they will let you the most extraordinary things. I sometimes wonder if afterward they remember what they've said.
Taking even one therapy session is just one step in the right direction to getting help and getting better, so I think it's great. I love it. I've convinced a lot of my friends to get into therapy, and they've given it a shot. Sometimes it's not for everybody at that time.
Really there's different scales of stories. Sometimes you want to tell one that 20, 30, 40, 50 million people will want to see and hear. Sometimes you do one that you know 150 will want to see on one night. As long as you're telling the right story for the right audience and they're getting something out of it it's essentially the same feeling to me.
You never have any idea where your movie's going to go when you're shooting - you're in this little bubble. Everything you care about is getting the next step right: getting the script right, finding the right actors, shooting it. Then you spend half a year in a dark room editing your film, and you don't talk to anybody.
You never have any idea where your movie's going to go when you're shooting - you're in this little bubble. Everything you care about is getting the next step right: getting the script right, finding the right actors, shooting it.
Sometimes the ball is just not going to go in. That's just the reality. You got to be able to let go of the result sometimes, and just know and trust that you're doing the right things.
It's just difficult to see that people want to be like the actors and the performers and the politicians who are - who they see all the time, but the people that are probably having the most fun are the writers and the directors and the producers and the scientists, right, the people in the back that are getting to do the creative process.
I feel like I've been picky through the years and would do one movie a year or one movie every two years, and I want to work a lot more. So if I can find something that just happens right away as a director, I'll do it if I really love it, but otherwise, I want to keep working as an actor and getting better.
Sometimes you get into fights if a teammate is getting taken advantage of, sometimes just from competing and you feel someone takes a cheap shot. It's just the intensity. It's an intense game, sometimes you just get too fired up and fights happen.
Everything you care about is getting the next step right: getting the script right, finding the right actors, shooting it. Then you spend half a year in a dark room editing your film, and you don't talk to anybody.
The biggest challenges are always getting into the rooms that you need to get into and having people open to the types of stories that I want to tell. And I feel that just being a female director and doing that is a big deal in this country. On my third movie I worked with a French DP. I asked him has he ever worked with a woman director before? He said in France a third of directors are women; so you can’t avoid them. So I realized that the US is behind.
Sometimes what happens is you're not getting wickets; you're going for runs. You just want to get away.
I just want to leave you with this thought, that it's just been sort of a dress rehearsal, and we're just getting started. So if any of you start resting on your laurels, I mean just forget it, because...we are just getting started.
Some very famous directors have started in the mail room, which is just getting inside the studio, getting to know people, getting to know the routine.
I tell students they will know they are getting somewhere when a scene is so painful they can just barely bring themselves to write about it. A writer has to draw blood.
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