A Quote by Viola Davis
I can't speak for the Kathryn Stockett, but I would guess that she feels proud of the progress the South has made because, growing up, she experienced a very different Mississippi than the one that exists today.
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Why does one begin to write? Because she feels misunderstood, I guess. Because it never comes out clearly enough when she tries to speak. Because she wants to rephrase the world, to take it in and give it back again differently, so that everything is used and nothing is lost. Because it's something to do to pass the time until she is old enough to experience the things she writes about.
I was just an infant when [Fannie Lou] Hamer spoke - barley even awake in the world. But here she was, pressing the Democratic Party to refuse to recognize the all-white Mississippi delegation, because obviously there was no way Mississippi could have an all-white delegation. Black people had been kept from registering through violence and intimidation. She had experienced that violence herself and was there to speak about it and to insist the delegation of the Mississippi Freedom Democratic Party be recognized instead.
She was made up of more, too. She was the books she read in the library. She was the flower in the brown bowl. Part of her life was made from the tree growing rankly in the yard. She was the bitter quarrels she had with her brother whom she loved dearly. She was Katie's secret, despairing weeping. She was the shame of her father stumbling home drunk. She was all of these things and of something more...It was what God or whatever is His equivalent puts into each soul that is given life - the one different thing such as that which makes no two fingerprints on the face of the earth alike.
France was given up to fire and bloodshed, she experienced famine, she experienced the worst of things, she was nearly chopped up in pieces forever because of the decision... to exclude, to brand one party as guilty and annihilate them.
When today's young woman says she isn't a feminist what she means is she isn't a lesbian and she doesn't hate men, she likes to wear make-up and she enjoys a laugh. In which she is no different from many an early feminist.
I wouldn't say I had a hard childhood because my mom always made sure we was Gucci, you know what I mean. Growing up, she made sure we ain't have to want for nothing. She did what she had to do; she made her money, and we was always good.
My family was one of the few South Asian families in my community in Illinois. Growing up in the '80s, I remember going to the K-Mart with my mom, when she was wearing her sari, and she'd get made fun of. People would ask my mother, 'Were you born with that dot on your head?'
[Grandfather] would manufacture funnies with Grandmother before she died about how he was in love with other women who were not her. She knew it was only funnies because she would laugh in volumes. 'Anna,' he would say, 'I am going to marry that one with the pink hat.' And she would say, 'To whom are you going to marry her?' And he would say, 'To me.' I would laugh very much in the back seat, and she would say to him, 'But you are no priest.' And he would say, 'I am today.' And she would say, 'Today you believe in God?' And he would say, 'Today I believe in love.
If Deja wasn't my sister, I feel like I would still be motivated but not in the way that I am today. Having a disabled sister, that's a lot more motivation, especially when she tells you growing up that she wishes she can be out there with the kids playing and she wishes she can be out there running around.
My grandmother was born in 1900, and she would regale me with tales I call 'Little House on the Prairie' tales, but they were tales of segregated and racist America growing up in Alabama and Mississippi, where she came from.
No, we'll never get back together. We'll remain friends, but I see her going in a completely different direction than me musically. But she'll end up doing really well if she continues on the path she's on. Because she's doing something very original.
I connected very much with all the work of Joan Crawford because she started as a flapper. She used to dance and sing and she was very cute. She had something that was so different from what she is at the end of her life and she started in the silent movies and then went into the talkies.
We're fortunate to have this extraordinary foundation of, I guess, not growing up in Hollywood and growing up in this farmhouse in Switzerland. She wanted a normal life for herself and for us. And it's a valuable and beautiful memory that she left us.
I've known a lot of very religious people. My mother is very religious, but she was also very - is very private about it. She - when I was growing up, she never went to church. She just prayed and read her Bible and kept it to herself. So I'm not from a background of flamboyant believers. It's much more a personal issue.
My hair story has been unique because my mom's a German Jew, so her hair is way different than my hair. She was always learning on my hair growing up, but I would sit there for hours, and she did learn how to braid hair. Early on, it was a lot of tears while my mom was braiding my hair.
She was brave and would try anything. But she was never very confident. She didn't even think she was particularly beautiful - which turned out to be a good thing because it made her act like a real person instead of a sex symbol.
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