A Quote by Viola Davis

The big 'Aha!' moment is that the trauma never goes away. — © Viola Davis
The big 'Aha!' moment is that the trauma never goes away.
Trauma never goes away completely, it changes perhaps, softens some with time, but never completely goes away.
I've had a lot of 'aha' moments, but the big 'aha' about growing older is the mental freedom.
That was a very aha moment. It was, 'I'm in the big leagues.'
Preppy never goes away. It just has its moment every 15 years, and then it goes back underground.
I didn't realize that the platform could be this big until Colin Kaepernick first took a knee. When he did that, that was kind of an 'aha' moment for me.
I don't need to manufacture trauma in my life to be creative. I have a big enough reservoir of sadness or emotional trauma to last me.
If we take a hard look at what poverty is, its nature, it's not pretty - it's full of trauma. And we're able to accept trauma with certain groups, like with soldiers, for instance - we understand that they face trauma and that trauma can be connected to things like depression or acts of violence later on in life.
Some people's lives seem to flow in a narrative; mine had many stops and starts. That's what trauma does. It interrupts the plot. You can't process it because it doesn't fit with what came before or what comes afterward. A friend of mine, a soldier, put it this way. In most of our lives, most of the time, you have a sense of what is to come. There is a steady narrative, a feeling of "lights, camera, action" when big events are imminent. But trauma isn't like that. It just happens, and then life goes on. No one prepares you for it.
I don't want to get into splitting hairs. Trauma is trauma. I'm not in a position to quantify or qualify people's trauma.
There's always that moment when you realize what it's going to be. You might have an overarching theme and you need to fill in the blanks - and then there's this "Aha" moment when you see where it's going. That's the most satisfying part of writing.
Women are elephants and watch the way you say that in front of them because they'll think you're calling them fat and there's no coming back from that moment. But they hoard. They say they don't, but they do. We think that if something's not spoken about again, it goes away. It doesn't. Nothing goes away just like that.
When you read enough stories about people who have been through different levels of trauma, and it doesn't matter what the history is, trauma is trauma, there's always this freeing of the spirit.
Man goes far away or near but God never goes far-off; he is always standing close at hand, and even if he cannot stay within he goes no further than the door.
What I do know is rock and roll and metal never goes away, ever. It took the back seat in America in the '90s. In Japan and South America, it was still really big. I never followed trends, so I don't know the exact function of them.
Fashion comes and goes; prints come and go. Proper camo never really goes away.
This stereotype that Black and brown boys and girls are dangerous or threatening has normalized systems of trauma: the cradle to prison pipeline, foster care, youth detention, and being tried and sentenced as adults. We treat trauma with more trauma.
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