A Quote by Viola Davis

I have been given a lot of roles that are downtrodden, mammy-ish. A lot of lawyers or doctors who have names but absolutely no lives. You're going to get your three or four scenes; you're not going to be able to show what you can do.
I have been given a lot of roles that are downtrodden, mammy-ish.
After 'Entourage,' it completely opened up my casting within the industry. People saw me for a lot of roles that I hadn't been seen for before. Older roles. I went out this pilot season for a lot of lawyers and doctors. And cops - which I haven't quite mastered yet; I find that quite difficult.
Coming to Buffalo three years, two and a half years ago, whatever it's been a lot of people said, 'Why are you going there? You're not going to be able to get it turned around.' But we got it turned around, with a lot of work yet to do.
Bach was so mathematical and I liked this idea that you could have one instrument going, 'One, two, three, four', and then you have another instrument going, [double time] 'One, two, three four', and another instrument going, [doubled again] 'One, two, three, four, one, two, three, four', so you could add twos and fours and eighths, and that happens a lot in Bach.
People make a lot of fuss about my kids having such supposedly 'strange names', but the fact is that no matter what first names I might have given them, it is the last name that is going to get them in trouble.
I have to be able to stick to very dedicated times to work on things, do exactly as I say I'm going to do, show up when I say I'm going to show up and focus that's the only way I've been able to pull off everything last year but I'm hoping I'll never have to do that again, it's a hell of a lot of work that's for sure.
Well, when I came to Hollywood, there were three names really of Latin actors, three or four names, maybe five. There was Raul Julia, Edward James Olmos, Andy Garcia, Antonio Banderas, Jimmy Smits. Now there's a lot.
A lot of guys can shoot two, three, four, five, six, seven, 10 feet behind the 3-point line. A lot of people can do it. It's just, when is it going to be considered a good shot? When are coaches going to encourage you to shoot that shot?
Part of the strength that Charlie and I have as a team is we've been able to keep our priorities straight through our entire partnership. We've been able to maintain a life outside of skating, and though we've given up a lot of things and we've been training really hard our entire lives, we've been able to maintain great social lives.
You can't really be one-dimensional in this fight game. If you are, you're going to get knocked out or you're going to get finished. Either that, or you're just going to take a lot of damage and you're just not going to be able to last very long.
Going into your rookie year, whatever team does take you, and you get to camp, there's going to be a lot of talent in that gym. You're going to walk in a gym - and no matter what - there's going to be a lot of talent.
I like flawed characters very much. A lot of times I get asked to do parts that are kind of small but key - three-scene roles that are three kick-ass scenes. Growing up, watching as many movies as I did, I was always into character actors like that.
My songs have a lot going on in them -they're packed with sounds. When I have only three or four minutes to capture something, I guess I can't stand the idea of any bar going unloved.
Well ironically my last three roles have all been a mother. One was a Canadian film where the baby was taken away because she is a drug addict, in Irish Jam I play a mother to a four year old. I think in the future I'll be able to handle the role with a lot more depth.
I've experienced a lot of successes. I've experienced a lot of failures. I've been able to get back up on my feet and keep going.
My plan of going to Tokyo has gone out of the window, but I was able to spend three to four months with my family and I've never been able to do that before.
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